In the Dream House
Winner of The Rathbones Folio Prize 2021
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2.0 • 2 Ratings
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- €6.99
Publisher Description
'Ravishingly beautiful' Observer
'Excruciatingly honest and yet vibrantly creative' Irish Times
'Provocative and rich' Economist
'Daring, chilling, and unlike anything else you've ever read' Esquire
'An absolute must-read' Stylist
WINNER OF THE RATHBONES FOLIO PRIZE 2021
'A masterpiece. Proceed with caution' Phoebe Bridgers
In the Dream House is Carmen Maria Machado's engrossing and wildly innovative account of a relationship gone bad. Tracing the full arc of a harrowing experience with a charismatic but volatile woman, this is a bold dissection of the mechanisms and cultural representations of psychological abuse.
Each chapter views the relationship through a different lens, as Machado holds events up to the light and examines them from distinct angles. She casts a critical eye over legal proceedings, fairy tales, Star Trek and Disney villains, as well as iconic works of film and fiction, infusing all with her characteristic wit, playfulness and openness to enquiry. The result is a powerful book that explodes our ideas about what a memoir can do and be.
PUBLISHERS WEEKLY
In this haunting memoir, National Book Award finalist Machado (Her Body and Other Parties) discusses the mental and physical abuse she was subjected to by her girlfriend. The book is divided into short, piercing chapters, in which Machado refers to the victimized version of herself as "you." ("I thought you died, but writing this, I'm not sure you did.") Machado discusses meeting the girlfriend (her first) in Iowa City, where Machado was getting her MFA. She masterfully, slowly introduces unease and dread as the relationship unfolds. The girlfriend turns threatening if Machado doesn't immediately return her calls, starts pointless fights, and inflicts physical discomfort on Machado (squeezing her arm for no reason, for instance). The hostile environment turns utterly oppressive, yet Machado stays, becoming further disoriented by someone who inflicts harm one minute and declares her love the next. Machado interestingly weaves in cultural references (to movies like 1944's Gaslight and 1984's Carmen) as she considers portrayals of abuse. She points out that queer women endure abuse in their relationships just as heterosexual women do, and queer abusers shouldn't be protected: "We deserve to have our wrongdoing represented." The author eventually leaves her toxic relationship behind, but scars remain. Machado has written an affecting, chilling memoir about domestic abuse.
