Next to Love
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4.0 • 1 Rating
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- €4.99
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- €4.99
Publisher Description
Babe, Grace and Millie have been best friends since their first day at kindergarten. Now they are newly married, and the men have gone to war. They thrive on letters from their absent sweethearts, and on the closeness they’ve always shared.
And then, on a single morning in 1944, no fewer than sixteen telegrams arrive, bringing news of the worst kind from the War Department. For Babe, Grace and Millie, life will never be the same again. Each must face the challenges of the years ahead, the changes taking place in America and far closer to home, which are enough to test even the deepest of friendships and most hopeful of hearts . . .
‘Haunting and profoundly moving . . . Feldman’s characters live and love with breathtaking intensity’ Booklist
‘Intelligent, elegant and moving’ Guardian
‘A celebration of friendship, full of tragedy and hope’ ASOS magazine
PUBLISHERS WEEKLY
Feldman's latest (after Scottsboro) follows three female friends through WWII and into the '60s as lives, loves, and perceptions change both within and without. Bostonians Babe, Grace, and Millie don't want to lose the men they love to the looming war in Europe. So Grace and Millie marry their boyfriends before they ship out; Babe, on the other hand, follows Claude to his Southern Army base before he's due to join the fight in England, but is raped before reaching him. Grace and Millie's husbands die in battle, and Claude returns a changed man. The three old friends navigate life in a tumultuous era of social upheaval, holding to the belief that happiness lies in finding the right man. Babe, the quintessential girl from the wrong side of the tracks and a very sympathetic character, is determined to have life and love on her own terms. Grace and Millie, however, continue to hope for rescue and fail to learn from their mistakes. Feldman adopts multiple points of view and sticks to the awkward present tense, which instead of bringing immediacy pushes the reader away. A section of letters, though, is beautifully rendered, illuminating the characters and advancing the plot. Feldman's portrait of an era, and its women, is both well drawn and frustrating.
