SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION AND THE RATHBONES FOLIO PRIZE
LONGLISTED FOR THE ORWELL PRIZE FOR POLITICAL FICTION
'I am shouting from the rooftops to anyone who will listen about this book. It’s so so good – realistic and funny and so truthful it almost winded me' Dolly Alderton, The High Low
Two couples find themselves at a moment of reckoning. Melissa has a new baby and doesn't want to let it change her. Damian has lost his father and intends not to let it get to him. Michael is still in love with Melissa but can't quite get close enough to her to stay faithful. Stephanie just wants to live a normal, happy life on the commuter belt with Damian and their three children but his bereavement is getting in the way.
Set in London to an exhilarating soundtrack, Ordinary People is an intimate study of identity and parenthood, sex and grief, friendship and ageing, and the fragile architecture of love.
'I just finished Ordinary People by Diana Evans and it is utterly exquisite. What a writer she is - the depth of her insight, the grace of her sentences. WHAT HAVE I BEEN DOING ALL THIS TIME NOT READING HER?'
Elizabeth Day, Twitter
‘God this book is fantastic’ Pandora Sykes
Evans's striking novel (following 26A) investigates the relationships of two sets of friends as they navigate pivotal moments during 2008. Melissa and Michael remain engaged after 13 years; Melissa misses her former job as a magazine's fashion editor, which she left to care for her seven-year-old, Ria, and infant, Blake, while Michael longs for the passionate relationship they used to have. Continually feeling rebuffed at home, Michael searches for attention from others and notices a younger woman in his office. Hesitant to be unfaithful, Michael plans an outing to connect with Melissa, but the evening falls short of expectations and Melissa withdraws further. Meanwhile, in the second narrative, Michael's friend Damian is frustrated with Stephanie, his wife of nearly 16 years, because she refuses to live in London like their friends, opting instead to raise their children in the suburbs, thereby squelching his dream of city life and ambition of being a writer. Along with coping with the recent loss of his activist father, Damian believes his wife and her family don't share his values, and instead measure their success by the size of their home and the private lessons they provide their children. With penetrating emotional and psychological observations, Evans creates a realistic portrayal of the couples as they struggle to redefine commitment. Readers looking for careful studies of relationship dynamics will find much to contemplate.