Prima Facie
Based on the award-winning play starring Jodie Comer
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- €10.99
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- €10.99
Publisher Description
'Compelling and human . . . a political rallying cry' New York Times
'Bold, fearless and heartbreaking' Elle Magazine
‘It has been an absolute joy to return to Tessa’s story . . . My hope is that it will reach the widest number of people . . . I’ve personally enjoyed delving into her story again’ Jodie Comer
'Bold, fearless, heartbreakingly timeless. Written with skill, humour, despair and hope, Prima Facie is a deeply rewarding, absolute must read' Chris Whitaker
'Enthralling and sharp-witted . . . Highly recommended' Karin Slaughter
'Miller's star shines as brightly as a novelist as it does as a playwright. Prima Facie the novel gives us what novels do: the intimacy of interior life. A great read' Anna Funder
From the Olivier award-winning playwright of Prima Facie Suzie Miller comes her first novel, where power, patriarchy and morality diverge.
‘This is not life. This is law.’
Tessa Ensler is a brilliant barrister who's forged her career in criminal defence through sheer determination. Since her days at Cambridge, she’s carefully disguised her working class roots in a male-dominated world where who you know is just as important as what you know. Driven by her belief in the right to a fair trial and a taste for victory, there’s nothing Tessa loves more than the thrill of getting her clients acquitted.
It seems like Tessa has it made when she is approached for a new job and nominated for the most prestigious award in her field. But when a date with a charismatic colleague goes horribly wrong, Tessa finds that the rules she’s always played by might not protect her, forcing her to question everything she's ever believed in . . .
AS SEEN IN ROISIN KATE KELLY, SUNDAY TIMES, ROUND-UP OF BEST BOOKS COMING IN 2024
PUBLISHERS WEEKLY
In this bracing if somewhat stilted debut, playwright Miller adapts her Olivier-winning play about London criminal defense barrister Tessa Ensler, whose fierce faith in the law is challenged after she's raped by a colleague. Though Tessa prides herself on being a champion for underdogs like her older brother, Johnny—whose juvenile run-ins with the justice system have tainted his professional prospects—she has surprisingly few qualms about defending men accused of sexual assault. Her favored tactic in these cases is superficially sympathetic but ultimately devastating cross-examinations of her client's female accusers. One night, after a bout of heavy drinking, Tessa is assaulted by a colleague with whom she's been carrying on an affair. As she wrestles with the same conundrums faced by the women she's eviscerated on the stand, the novel hits its stride on the way to a climactic courtroom showdown. Miller's narrative more than succeeds as an impassioned piece of advocacy that illuminates the tilted playing field facing sexual assault survivors. Without the immediacy of the stage, however, it can sometimes feel less like a novel than a brilliantly argued legal brief. Miller provides plenty of food for thought, but she doesn't quite nail the transition from stage to page.
