Red Comet
A New York Times Top 10 Book of 2021
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- €13.99
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- €13.99
Publisher Description
The first biography of this great and tragic poet that takes advantage of a wealth of new material, this is an unusually balanced, comprehensive and definitive life of Sylvia Plath.
'Surely the final, the definitive, biography of Sylvia Plath' Ali Smith
*WINNER OF THE SLIGHTLY FOXED PRIZE 2021*
*A BOOK OF THE YEAR IN THE DAILY TELEGRAPH AND THE TIMES*
*FINALIST FOR THE PULITZER PRIZE IN BIOGRAPHY 2021*
Drawing on a wealth of new material, Heather Clark brings to life the great and tragic poet, Sylvia Plath. Refusing to read Plath's work as if her every act was a harbinger of her fate, Clark evokes a culture in transition in the mid-twentieth century as she thoroughly explores Sylvia's world. We see Plath's early relationships and determination not to become a conventional woman and wife; we witness her Cambridge years and thunderclap meeting with Ted Hughes; and, through clear-eyed portraits of the demonised players in the arena of her suicide, we gain a deeper understanding of her final days.
Featuring illuminating readings of Plath's poems, Red Comet brings us closer than ever to the spirited woman and visionary artist who blazed a trail that still lights the way for women the world over.
'A first-class biography . . . Each chapter reads with the ease of a novel . . . I couldn't put it down' The Times
PUBLISHERS WEEKLY
Clark (The Grief of Influence: Sylvia Plath and Ted Hughes) offers a page-turning, meticulously researched biography of Sylvia Plath. Informed by never-before-accessed documents, Clark builds a narrative that gathers full force starting with Plath's ill-fated Mademoiselle internship at age 20, and continues through her career as an acclaimed poet, her marriage to fellow poet Ted Hughes, and her suicide at age 30. Clarke highlights bestselling author Olive Higgins Prouty as a generous source of emotional and financial support throughout Plath's life, while casting doubts on the helpfulness of Ruth Barnhouse, Plath's close friend and her psychiatrist during the 1953 stay in a psychiatric ward that inspired her novel The Bell Jar. However, Clark places the greatest emphasis on the Hughes-Plath marriage, depicting it as a creatively charged and ultimately destructive partnership, in which Hughes's moments of gentleness and supportiveness existed alongside rage and abuse. Finally, Clark provides a new and convincing theory that Plath's suicide came about not impulsively, but in response to the possibility that she would again have to undergo the traumatic process of institutionalization. Clark's in-depth scholarship and fine writing result in a superb work that will deliver fresh revelations to Plath's many devoted fans.