Technically Human: Kubrick's Monolith and Heidegger's Propriative Event (Stanley Kubrick and Martin Heidegger) (Critical Essay) More Books by Film Criticism
I Could Read the Sky and an Irish Avant-Garde (Critical Essay)
2004
Spectacular Optics: The Deployment of Special Effects in David Cronenberg's Films (Critical Essay)
2004
A Cinema of Violence: The Films of D. Ross Lederman.
2006
From Hollywood to Tokyo: Resolving a Tension in Contemporary Narrative Cinema.
2006
Adding a New Dimension: The 61st International Film Festival Berlin (Festivals)
2011
In Praise of Godard's in Praise of Love (Critical Essay)
2003
Writing Himself Into History: Oscar Micheaux, His Silent Films, And His Audiences (Book Review)
2003
Historical Narrative and the East-West Leitmotif in Milcho Manchevski's Before the Rain and Dust (Critical Essay)
2004
The Radical Vision of One-Eyed Jacks (Movie Review)
2004
The Country of the Mind in Kubrick's Fear and Desire (Movie Review)
2004
The Face of the Bandit: Racism and the Slave Trade in Herzog's Cobra Verde (Critical Essay)
2004
Mastering the Real: Trinity As the "Real" Hero of the Matrix (Critical Essay)
2003
Sexual Consciousness and the "New" Lady Chatterley (Critical Essay)
2009
Return to Yuma (Critical Essay)
2007
X-Ray Visions: Radiography, Chiaroscuro, And the Fantasy of Unsuspicion in Film Noir (Critical Essay) (Cover Story)
2007
Sensing an Intellectual Nemesis.
2007
Tarzan Vs. IBM: Humans and Computers in Jean-Luc Godard's Alphaville (Critical Essay)
2008
"You Must Never Listen to This": Lessons on Sound, Cinema, And Mortality from Herzog's Grizzly Man (Werner Herzog)
2008
On the Dialectics of Filmic Colors (In General) and Red (In Particular): Three Colors: Red, Red Desert, Cries and Whispers, And the Double Life of Veronique.
2008
Hitchcock's Cryptonomies: Volume I, Secret Agents; Volume II, War Machines (Book Review)
2005