The Boy
The new thriller from the Sunday Times bestseller
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3.0 • 3 Ratings
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- €2.99
Publisher Description
MOTHER. LIAR. MURDERER?
When Genevieve's seven-year-old son is found bleeding to death in his own home, she's horrified when the police turn to her for answers. There's no evidence of a break-in, and parts of Genevieve's story don't seem to make sense. But could a mother really kill her own child?
Twenty-four hours later, teenager Nora Florette is reported missing - and panic begins to spread. Someone is preying on the local children - and the police are caught in a race against time to catch the killer.
Detective Nick Fourcade and his partner Annie Broussard must uncover the truth about Genevieve's past before it's too late. Is she simply a grieving mother? Or is she a danger to them all?
The Sunday Times bestseller is back in a nail-biting thriller, perfect for fans of Karin Slaughter and Harlan Coben.
Praise for Tami Hoag:
'Authentic, dark and intense' Tess Gerritson
'Deviously plotted' Lisa Scottoline
'Heart-stopping' Carol Goodman
PUBLISHERS WEEKLY
Early in bestseller Hoag's thoughtful, character-driven sequel to 1997's A Thin Dark Line, Nick Fourcade, a detective with the Bayou Breaux, La., police department, arrives at "a small, sad rectangle of cheap siding and asphalt shingles squatting on concrete block pilings in a yard of dirt and weeds." Inside is the body of seven-year-old KJ Gauthier. The boy, dressed in Spider-Man pajamas, is lying in a pool of blood in his bedroom, stabbed some 10 times in the chest and face. His 27-year-old mother, Genevieve, escaped from the assailant and is in the hospital being questioned by Nick's wife and fellow detective, Annie Broussard. The detectives wonder: Why kill the boy and let a witness go? The subsequent disappearance of 12-year-old Nora Florette, KJ's babysitter, gives the members of the small community of Bayou Breaux even more reason to be fearful. Meanwhile, tension between Nick and the new sheriff of Partout Parish, Kelvin Dutrow, "an outsider, a usurper; too stiff, too arrogant, too brash," complicates the investigation. Hoag keeps the twists and turns coming all the way to the shocking conclusion.
