A man will do almost anything for ninety million dollars.
So will its rightful owners.
They found him in a small town in Brazil, near the border with Paraguay. He had a new name, Danilo Silva, and his appearance had been changed by plastic surgery. The search had taken four years. They'd chased him around the world, always just missing him. It had cost their clients $3.5 million. But so far none of them had complained.
The man they were about to kidnap had not always been called Danilo Silva. Before he had had another life, a life which ended in a car crash in February 1992. His gravestone lay in a cemetery in Biloxi, Mississippi. His name before his death was Patrick S. Lanigan. He had been a partner at an up-and-coming law firm. He had a pretty wife, a young daughter, and a bright future. Six weeks after his death, $90 million disappeared from the law firm.
It was then that his partners knew he was still alive.
And the chase was on...
‘A master at the art of deft characterisation and the skilful delivery of hair-raising crescendos' – Irish Independent
'John Grisham is the master of legal fiction' – Jodi Picoult
'The best thriller writer alive' – Ken Follett
‘John Grisham has perfected the art of cooking up convincing, fast-paced thrillers’ – Telegraph
‘Grisham is a superb, instinctive storyteller’ – The Times
‘Grisham's storytelling genius reminds us that when it comes to legal drama, the master is in a league of his own.’ – Daily Record
‘Masterful – when Grisham gets in the courtroom he lets rip, drawing scenes so real they're not just alive, they're pulsating’ – Mirror
‘A giant of the thriller genre’ – TimeOut
Money is essentially the principal character in Grisham's new thriller. It is a very large sum of it--$90 million, to be exact--that has motivated Gulf Coast lawyer Patrick Lanigan to concoct a scheme to disappear that is even more elaborate (if less convincing) than the one in the recent The Big Picture. It is money that drove a crooked defense contractor to try to pry loose a huge sum from Washington, and got Patrick's greedy law firm involved in the first place. And it is varying sums of money that enable Patrick to bribe his way out of a collection of indictments against him a yard long--including one for first-degree murder--when he is eventually found in his Brazilian hideaway and brought back to the U.S. to face the music. Already, at the end of The Runaway Jury, Grisham was displaying his fascination with the techniques of moving huge sums rapidly around the world, and here it becomes a key plot device. Even when tortured by his captors, Patrick can say he doesn't know where the money is, because only his Brazilian lover, fellow lawyer Eva Miranda, really knows--and no one knows where she is. To call the plot of The Partner mechanical is at least partly a compliment: it is well-oiled, intricate and works smoothly. But its cynicism is remorseless: Lanigan is hardly a hero to warm to, despite his ingenuity (he puts on a lot of weight before his disappearance, just so he can take it off later and look altogether different). He is all calculation, and when it seems, at the end, as if someone has double-crossed him too, it is difficult to muster any sympathy. In Grisham's world money rules, and it is a sign of weakness to ignore its power. Not that the author is likely to do so, anyway; every indication is that his latest will rake it in once again. 2.8 million first printing; major ad/promo; Literary Guild, Doubleday Book club and Mystery Guild main selections; simultaneous audio.