A standalone crime thriller featuring Jack McEvoy, hero of The Poet, from the global bestselling author of THE LINCOLN LAWYER and BRASS VERDICT.
Jack McEvoy is at the end of the line as a crime reporter. Forced to take a buy-out from the Los Angeles Times, he's got 30 days left on the job. His last assignment? Training his replacement, a low-cost reporter just out of J-school. But Jack has other plans for his exit. He is going to go out with a bang: a final story that will win the newspaper journalism's highest honour - a Pulitzer Prize.
Jack focuses on Alonzo Winslow, a sixteen-year-old drug dealer from the projects who has confessed to police that he brutally raped and strangled one of his crack clients. But as Jack delves into the story he soon realises that Alonzo's so-called confession is bogus. The investigation leads him to a serial killer known as The Scarecrow, who has worked completely below the police and FBI radar.
Jack is soon off on the crime beat and running on the biggest story he's had since The Poet crossed his path twelve years before - but The Scarecrow knows he's coming . . .
Connelly hits it out of the park with one of the best thrillers of the year. Seasoned reporter Jack McEvoy has just been laid off from his job at the Los Angeles Times and to add insult to injury is assigned to train his replacement, a precocious young woman who will work for half his salary with none of his experience. But McEvoy will not go gently into the land of the downsized: he still has one last story to cover featuring a killer who dumps his victims in the trunk of a car. Peter Giles brings a skilled and intimate feel to his reading without losing the chilling momentum; at one point he relays a beautifully built scene that contains one of the best "gotcha" moments in some time. A Little, Brown hardcover (Reviews, Mar. 30).