Torpor
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- €6.49
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- €6.49
Publisher Description
The latest novel from the author of cult super-hit I LOVE DICK
It's Summer, 1991, the dawning of the New World Order; a post-MTV, pre-AOL generation. Jerome Shafir and Sylvie Green, two former New Yorkers who can no longer afford an East Village apartment, set off on a journey across the entire former Soviet Bloc with the intention of adopting a Romanian orphan.
Unflinchingly dark, hilarious and moving, Torpor is at once a satire and philosophy of cultural history, social identity and failing relationships. Dipping into the trajectory of a life at different moments, Kraus interrogates convention and emotion, creating characters that are flawed, witty, and altogether true to life.
Part prequel, part sequel, Torpor continues a project of life-writing: personal, unsparing, and triumphant. If I Love Dick is the book of your 20s, Torpor is the book of your 30s.
PUBLISHERS WEEKLY
While it's being billed as a novel almost certainly for legal reasons this is actually the third installment in Kraus's series of memoirs, begun momentously with I Love Dick (1997) and followed up in Aliens and Anorexia (2000). Kraus's estranged husband, Sylv re Lotringer, is a Columbia French professor and the founder, with Kraus, of Semiotext(e): he figures prominently in all three books; here, the two are named Sylvie Green and Jerome Shafir, respectively. Kraus's third-person narrative seems coy compared with the too-close-for-comfort first-person of the two previous books, but her opening tales of Sylvie's desire for a child and of Jerome's initial unwillingness to parent with her (she has two abortions at his behest) are wrenching. Eventually, in 1991, the two haplessly take a trip to Romania to adopt an orphan. The trip is the book's center, and Sylvie fugues around it brilliantly, ruminating on art and the art world, sex and sexism, marriage and children, Judaism and the Holocaust, urbanism and ruralism as all relate to her life as a perennial outsider. Kraus, whose writing about the L.A. art scene was collected as Video Green (2004), is an underrated thinker and critic; her books form a compelling record of recent art and culture, and make substantial contribution to both.
