Vladimir
soon to be a major Netflix series
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4.3 • 4 Ratings
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- €6.99
Publisher Description
*An upcoming major Netflix series starring Leo Woodall and Rachel Weisz*
A Sunday Times Paperback of the Year
'I was utterly hooked . . . by this twisty, sexy, shocking treat of a novel ' – The Sunday Times
One evening, a fifty-something literature professor invites her new and beautiful young colleague, Vladimir, to join her for a drink. Her husband is out a lot these days, having been suspended from their college amid accusations of inappropriate relationships with his former students.
However, as the professor attempts to disentangle herself from her husband's behaviour, it becomes clear that her desire for the new arrival might bring the couple's tinder-box world dangerously close to exploding . . .
'This clever, engrossing debut explores female creativity, rage and desire . . . Astonishing' - The Guardian
'So exciting . . . Sexy and satirical and incredibly gripping, impossible to put down' - The Observer
APPLE BOOKS REVIEW
Julia May Jonas’ smart and provocative debut explores issues of desire, aging, creativity, and even morality. The novel’s unnamed narrator is a fiftysomething English professor who’s dissatisfied with her life, especially now that her husband has become mired in a #metoo scandal. But when a promising younger writer named Vladimir Vladinski joins the faculty, Jonas’ heroine finds her emotions—and creative juices—all stirred up. Jonas drops us right into the head of her stunningly imperfect narrator and gives us access to her deepest secrets, including the details of her unconventional marriage and the nitty-gritty of her insecurities, jealousies and lustful thoughts. Vladimir is an intense, gripping read that feels fresh and modern. We can’t wait to read Jonas’ next book.
PUBLISHERS WEEKLY
Playwright Jonas debuts with a mordantly funny post-#MeToo campus story about a 50-something woman unhinged by desire for a younger man. The unnamed narrator, a tenured English professor at a small upstate New York liberal arts college, starts the fall semester embroiled in scandal. The scandal is not hers (at least not at first)—her husband, John, also a professor in the department, has been placed on leave pending the results of a hearing after being accused of sexual predation by a host of young women, many of them former students. Denounced by both her colleagues and her adult daughter for her complicity in John's behavior, the narrator retreats into obsessive sexual fantasies about a new young colleague, Vladimir. She also yearns to recapture the physical allure of her youth and revive her own stagnant writing, and by the end, her behavior turns monstrous. Vain, narcissistic, and seemingly oblivious to the absurdity of her actions, the narrator can nevertheless pluck at readers' sympathies, especially in the generous and thoughtful ways she helps her daughter during her own personal crisis. The author generously studs the narrative with clever literary allusions (the narrator describes her mind in contrast to Edna St. Vincent Millay's: "more like a chaotic battle scene than the unfurling of insight"), and surprisingly upends assumptions about gender, power, and shame. Jonas is off to a strong start.
