A History of Opera
The Last Four Hundred Years
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- 14,99 €
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- 14,99 €
Descrizione dell’editore
Opera is in many ways the most extraordinary artistic medium of the last four hundred years. Prohibitively expensive and patently unrealistic, it can nevertheless paint the human passions with astonishing power and drama. This book, the first new, full-length, single-volume history of opera for more than a generation provokes in-depth discussions of many works by the greatest opera composers, from Monteverdi, Handel and Mozart, to Verdi and Wagner, to Strauss, Puccini, Berg, and Britten. There are lively discussions of opera's social, political and literary background, its economic cicumstances and the almost continual polemics that have accompanied its development through the centuries. Central to the book is an exploration of the tensions that have always sustained and enlivened opera. Abbate and Parker examine the problems that opera has faced in the last half century, when new works - which were once opera's life-blood - have shrunk to a tiny minority, have largely failed to find a permanent place in the repertoire.
Yet the book's final message is one of celebration. Even if the majority of opera's most popular and enduring works were written in what is now a remote European past, in circumstances very different from our own, and the viability of contemporary opera is ever more in question, opera as an art form remains extraordinarily buoyant and challenging. It continues to transform people physically, emotionally, and intellectually, and to articulate human experience in ways no other art form can match.
PUBLISHERS WEEKLY
In this sometimes plodding, sometimes energetic, but always fascinating history of opera, music historians Abbate and Parker conduct us on a captivating journey from the birth of opera in the 17th century up through the most recent technological innovations that bring operatic performances to wider and wider audiences. While the authors cover the breadth of operatic history bringing to view important composers such as Monteverdi and Meyerbeer whose historical significance outweighs their presence in modern performances of their work they focus their attention on the composers whose works are most performed today: Verdi, Mozart, Puccini, Wagner, Rossini, Donizetti, Strauss, Bizet, and Handel. The authors praise opera's complex glories, demonstrating through their lovingly crafted survey that as long as performers are willing to devote themselves to singing the operas and as long as suitable spaces exist to host the performances, opera will continue to be brought to life, articulating some of the complexities of human experience in ways that no other art form can match.
