All American Boys
Carnegie Medal-Winning Author
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- 8,49 €
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- 8,49 €
Descrizione dell’editore
A bag of chips. That's all sixteen-year-old Rashad is looking for. What he finds instead is a fist-happy cop, Paul, who mistakes Rashad for a shoplifter, mistakes Rashad's pleadings that he's stolen nothing for belligerence, mistakes Rashad's every flinch at every punch the cop throws as further resistance and refusal to STAY STILL as ordered. But how can you stay still when someone is pounding your face into the pavement?
There were witnesses: Quinn - a varsity basketball player and Rashad's classmate who has been raised by Paul since his own father died in Afghanistan - and a video camera. Soon the beating is all over the news and Paul is getting threatened with accusations of prejudice and racial brutality. Quinn refuses to believe that the man who has basically been his saviour could possibly be guilty. But then Rashad is absent. And absent again. And again. And the basketball team - half of whom are Rashad's best friends - start to take sides. As does the school. And the town. Simmering tensions threaten to explode as Rashad and Quinn are forced to face decisions and consequences they had never considered before.
PUBLISHERS WEEKLY
In this painful and all-too-timely book, two authors one black, one white present a story of police brutality. Reynolds (The Boy in the Black Suit) voices Rashad, the innocent victim of a police beating; Kiely (The Gospel of Winter) writes Quinn, a horrified witness. The book moves quickly, starting on a Friday night with the boys classmates who don't know each other preparing for a party, and ending with a social-media-inspired protest march one week later. For Rashad, the week means facing the physical and mental effects of what has happened, including a father who initially assumes that Rashad is guilty. For fatherless Quinn, the struggle comes from the fact that the cop is not only the older brother of a close friend, but also a father figure. The scenario that Reynolds and Kiely depict has become a recurrent feature of news reports, and a book that lets readers think it through outside of the roiling emotions of a real-life event is both welcome and necessary. Ages 12 up.
