As Long As We Both Shall Live
Get ready for the twist to end all twists
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- 4,99 €
Descrizione dell’editore
Grieving husband? Or cold-blooded killer? JoAnn Chaney examines the dark side of marriage in this startling thriller, As Long As We Both Shall Live.
'Unputdownable . . . This novel is anything but predictable. The female characters are forces of nature, and the plot twists are deliciously demented, a la Gone Girl and Big Little Lies' – People Magazine
‘My wife! I think she’s dead!’ Matt frantically calls to park rangers, explaining that he and his wife, Marie, were out hiking when she stumbled on a cliff edge and fell into the raging river below. They start a search but aren’t hopeful: no one could have survived that fall.
It’s a tragic accident.
But when police discover Matt’s first wife also died in suspicious circumstances – a fire in their family home – they have a lot more questions for him.
Is Matt a grieving husband, or has he just killed his second wife? Detectives Loren and Spengler dig into the couple’s lives to see what they can unearth. And they find that love’s got teeth, it’s got claws, and once it hitches you to a person, it’s tough to rip yourself free.
So what happens when you’re done making it work?
PUBLISHERS WEEKLY
The fall of 40-something housewife Marie Evans off a cliff above the Three Forks River in Estes Park, Colo., kick-starts this uneven domestic thriller from Chaney (What You Don't Know). According to Marie's husband, Matt, the couple were hiking when she slipped off a cliff, but nearby campers report having heard a woman scream for mercy shortly before Marie went missing. Matt maintains his innocence, but Denver homicide detectives Marion Spengler and Ralph Loren have their doubts particularly once they learn that 23 years earlier Madison, Wis., police suspected Matt of murdering his first wife. As recovery teams search for Marie's body, Spengler and Loren investigate the Evanses' marriage. But after a strong start, the plot loses momentum. Though the complex female characters intrigue, crass male stereotypes monopolize the narrative, robbing the tale of depth and verisimilitude. Twists abound, but poorly established stakes lessen their impact, and a subplot spotlighting Loren's dark past distracts from the central mystery. Hopefully, Chaney will do better next time.
