Descrizione dell’editore
Ezekiel "Easy" Porterhouse Rawlins is an unlicensed private investigator turned hard-boiled detective always willing to do what it takes to get things done in the racially charged, dark underbelly of Los Angeles.
But when Easy is approached by a shell-shocked Vietnam War veteran- a young white man who claims to have gotten into a fight protecting a white woman from a black man- he knows he shouldn't take the case.
Though he sees nothing but trouble in the brooding ex-soldier's eyes, Easy, a vet himself, feels a kinship form between them. Easy embarks on an investigation that takes him from mountaintops to the desert, through South Central and into sex clubs and the homes of the fabulously wealthy, facing hippies, the mob, and old friends perhaps more dangerous than anyone else.
Set against the social and political upheaval of the late 1960s, BLOOD GROVE is ultimately a story about survival, not only of the body but also the soul.
Widely hailed as "incomparable" (Chicago Tribune) and "dazzling" (Tampa Bay Times), Walter Mosley proves that he's at the top of his game in this bold return to the endlessly entertaining series that has kept fans on their toes for years.
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Early in MWA Grand Master Mosley's strong 15th Easy Rawlins mystery (after 2016's Charcoal Joe), Craig Kilian, a vet traumatized by combat experiences in Vietnam, arrives unannounced one day in 1969 at the L.A. detective agency that employs Easy. Craig, a white man, tells Easy he got into a fight with a knife-wielding Black man who was about to attack a white woman tied to a tree at a remote campsite. After fatally stabbing the Black man, Craig was hit in the head and lost consciousness. When he woke up, the body and the woman were gone. WWII vet Easy feels sympathy for Craig, and agrees to help find out what happened at the campsite. The upright detective soon becomes caught in a web of trouble involving stolen money, grisly murders, and weird sex clubs. Amid all the twists and turns and double-crosses, Easy confronts racism, an enduring feature "of the America I loved and hated." Mosley does a fine job highlighting a world of Black survivors who know how difficult their struggle remains, every day of every decade. This marvelous series is as relevant as ever.
