By the Sword
A History of Gladiators, Musketeers, Samurai, Swashbucklers, and Olympic Champions
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- 3,49 €
Descrizione dell’editore
“Like swordplay itself, By the Sword is elegant, accurate, romantic, and full of brio—the definitive study, hugely readable, of man’s most deadly art.”—Simon Winchester
With a new Preface by the author
Napoleon fenced. So did Shakespeare, Karl Marx, Grace Kelly, and President Truman, who as a schoolboy would practice fencing with Bess—his future wife— when the two of them returned home from school. Lincoln was a canny dueler. Ignatius Loyola challenged a man to a duel for denying Christ’s divinity (and won). Less successful, but no less enthusiastic, was Mussolini, who would tell his wife he was “off to get spaghetti,” their code to avoid alarming the children. By the Sword is an epic history of sword fighting—a science, an art, and, for many, a religion that began at the dawn of civilization in ancient Egypt and has been an obsession for mankind ever since. With wit and insight, Richard Cohen gives us an engrossing history of the world via the sword.
Praise for By the Sword
“Touché! While scrupulous and informed about its subject, Richard Cohen’s book is about more than swordplay. It reads at times like an alternative social history of the West.”—Sebastian Faulks
“In writing By the Sword, [Cohen] has shown that he is as skilled with the pen as he is with the sword.”—The New York Times
“Irresistible . . . extraordinary . . . vivid and hugely enjoyable.”—The Economist
“A virtual encyclopedia on the subject of sword fighting.”—San Francisco Chronicle
“Literate, learned, and, beg pardon, razor-sharp . . . a pleasure for practitioners, and a rewarding entertainment for the armchair swashbuckler.”—Kirkus Reviews (starred review)
PUBLISHERS WEEKLY
Cohen's enthusiastic history of the sword and of swordplay captures the adventure, romance, danger and intrigue that the weapon has represented throughout world history. The narrative contains superheroes, villains, underdogs, spies, alchemists, movie stars and champions. Rather than use a purely chronological structure, Cohen (who has written for the New Yorker) takes apart many of the influences that fencing has had on society and vice versa. Barely a subject escapes his eyes: metallurgy and the quest for a sword that would hold its edge and remain strong; the damage swords can do to a body (including purposeful gashes across the cheek); judicial duels (it was believed that God would intervene on behalf of the innocent party, who would win regardless of fencing ability); the history of the Musketeers; swashbuckling movies; modern sport fencing (which countries and even families reign supreme and why), Fascists (Mussolini and many higher-ups in Hitler's regime fenced), cheating and the Olympics. Staying away from an impersonal history, the author extends his own involvement with the sport he was on the British Olympic team four times (1972, 1976, 1980 and 1984) by visiting as many of his subjects as he can, from the historically superior sword-making city of Toledo to Gretel Bergmann, a figure in a Nazi fencing scandal. There are copious playful asides as footnotes filling the reader in on wonderful facts and anecdotes. For those with even a casual interest in fencing, Cohen's work will be a delightful read; he brings the daunting breadth of the history of the sword within easy reach of the curious.
