China Room
The heartstopping and beautiful novel, longlisted for the Booker Prize 2021
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- 8,99 €
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- 8,99 €
Descrizione dell’editore
In 1929 young bride Mehar struggles with her family’s expectations whilst seventy years later her great-grandson discovers what her story can teach him about his own path.
'A gorgeous, gripping read' Kamila Shamsie
'A multi-generational masterpiece' Daily Mail
Mehar, a young bride in rural Punjab, is trying to discover the identity of her new husband. It is 1929, and she and her sisters-in-law - married to three brothers in a single ceremony - spend their days hard at work on the family farm, sequestered from contact with the men. When Mehar develops a theory as to which of them is hers, a passion is ignited that will put more than one life at risk.
Spiralling around Mehar's story is that of a young man who in 1999 flees from England to the deserted sun-scorched farm. Can a summer spent learning of love and of his family's past give him the strength for the journey home?
Readers love China Room
***** 'I didn't want it to end'
***** 'What. A. Book.'
***** 'Beautifully crafted...a story as old as time'
***** 'A novel of thwarted loves'
Shortlisted for the 2022 Rathbones Folio Prize
Longlisted for the 2021 Booker Prize
'Amazing storytelling...gripping and very moving' BBC Radio 4, Open Book
'I'm blown away by it' Tessa Hadley
'Moving...fresh and nourishing' The Times
PUBLISHERS WEEKLY
Sahota's engaging latest (after The Year of the Runaways) follows a teenage bride in rural Punjab during the British Raj. Mehar Kaur was five years old when she was promised to one of three brothers. In 1929, Mehar, now 15, is married along with two other women to the three, but Mehar still does not know which is her husband. The women live and sleep in the china room, and are alone with their husbands only on those nights when they meet in an unlit room for sex. Mehar mistakenly comes to believe that Suraj, the youngest, is her husband, leading her to drop her veil and sleep with him one afternoon. Suraj realizes what happened but doesn't want to give her up, and Mehar falls in love with him, leading to heartbreaking consequences. Mehar is seen and treated as property, yet Sahota manages to give her the illusion of agency, providing an empathetic look at how she would prefer the world to be. Woven within Mehar's affecting narrative is the less-developed story of her great-grandson, an unnamed man who narrates in 2019, recalling the summer of 1999, when he was 18 and left England for Punjab to battle his heroin addiction. Though the various parts are uneven, it's well worth the time.
