Diavola
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- 8,99 €
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- 8,99 €
Descrizione dell’editore
White Lotus meets Hereditary in this uproarious and unsettling dissection of a dysfunctional family and their ghosts, both literal and metaphorical. Perfect for fans of Grady Hendrix and Ronald Malfi
Anna only has one rule for the annual Pace family vacations: tread lightly, and survive.
It isn't easy when she's the only who doesn't seem to fit in. Her twin brother Benny goes with the flow so much he's practically dissolved, and her high-strung older sister Nicole is so used to everyone—including her blandly docile husband and two young daughters—falling in line that Anna often ends up chastised for simply asking a question. Her Mom is baffled by Anna's life choices (why waste her artistic talent at an ad agency?), and her Dad—well, he just wants a little peace and quiet.
The gorgeous villa outside a remote Tuscan town seems like the perfect place to endure so much family time—not to mention Benny's demanding new boyfriend, Christopher. If her family becomes too much to handle, then at least Anna can wander off to a wine tasting or lose herself in an art gallery. That is, until strange things start to happen—strange noises at night, food rotting within hours, dreams that feel more like memories. Then, the unsettling warnings from the locals: don't open the tower door.
But Anna does open it. And what she releases threatens to devour her family—that is, if her family doesn't tear itself apart first.
PUBLISHERS WEEKLY
Family drama, unspoken resentments, and something far more sinister simmer—but never reach a boiling point—in this lackluster ghost story from Thorne (Lute). Black sheep Anna Pace travels to Italy for a family vacation with her parents and adult siblings prepared to deflect and endure their judgments. As an unmarried, unambitious artist in her 30s, there's no shortage of criticisms for the other Paces to throw her way. Anna weathers her sister's need for control and her mother's nagging comments, but as signs of a haunting appear around the villa they're renting, the vacation devolves into one disaster after another. To make matters worse, when the Pace family looks into the history of the villa, they open some doors better left closed. Thorne paints in broad gothic strokes, incorporating all the major elements of the genre, from the spooky architecture to the blood and romance, but leaving things disappointingly underdeveloped. Anna's snarky voice initially balances the darker elements but becomes grating as the story goes on. Eventually, her characterization descends into cliché: she's smart enough to make everyone around her jealous, and though she's supposedly unattractive, many of the male (and female) side characters lust after her. Seasoned genre fans will be disappointed.
