Enchantment
The Life of Audrey Hepburn
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- 10,99 €
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- 10,99 €
Descrizione dell’editore
Born in Brussels in 1929, Audrey Hepburn was the daughter of a British father and a Dutch Baroness. But when she was five, her father deserted the family. With the outbreak of war in 1939, her mother thought they would be safer in Holland than Holland Park, but although they survived the German Occupation, the experience left its physical and emotional scars.
Back in England again, Audrey studied ballet with Marie Rambert. After a few West End musicals and minor film parts, she was spotted by the author, Colette, to star in a stage version of her novel, Gigi. And then Audrey's career took off. Her debut screen role was the Princess in the enchanting Roman Holiday. It won her an Oscar.
She went on to bring her unique grace and high spirits to a number of highly acclaimed films - from Funny Face and The Nun's Story to My Fair Lady, Breakfast at Tiffany's and Robin and Marian.
For a while it looked as though her personal life would follow the Hollywood dream. But her marriage to Mel Ferrer was not to last. She married and divorced a second time, and there were other passionate but short-lived affairs, some revealed for the first time in this book, but her relationships were never entirely successful.
With all the insight, background knowledge and innate sympathy for his subject, qualities that have made his biographies of Hitchcock, Dietrich, Monroe and Bergman such international successes, Donald Spoto truly captures the spirit of an elusive, beautiful, talented and vulnerable woman.
PUBLISHERS WEEKLY
Celebrity biographer Spoto (The Art of Alfred Hitchcock) offers a sparkling, fawning life of the European gamine whom America took to instantly with her 1953 debut in Roman Holiday. Hepburn (1929 1993) held the irresistible charm of a childlike star na vely unaware of her appeal, from her first big break at age 22 when selected by Colette herself to play the Broadway version of Gigi. Born to a Dutch baroness and an English ne'er-do-well (and fascist sympathizer) who separated when she was six, Hepburn and her mother underwent horrendous deprivations during the Nazi occupation of Holland during WWII; her early ambition to become a ballet dancer was undermined by inadequate nutrition and training. Her early film successes flowed astonishingly, however, from Sabrina, Funny Face, Love in the Afternoon, Breakfast at Tiffany's and My Fair Lady to attempts at roles with more gravitas, as in The Nun's Story and Wait Until Dark. Often paired with older, avuncular leads, Hepburn was viewed as unerotic, yet Spoto tracks her steamy relationships with playboys and co-stars, and marriage to American actor-director Mel Ferrer, who often acted as her Pygmalion. Her later work with UNICEF is sketched too briefly. Spoto's previous Hollywood biographies allow the author authoritative access to Hepburn.
