Kenneth Clark
Life, Art and Civilisation
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- 8,49 €
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- 8,49 €
Descrizione dell’editore
SHORTLISTED FOR THE BERGER PRIZE FOR BRITISH ART HISTORY 2017
SHORTLISTED FOR THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE 2017
A SUNDAY TIMES ART BOOK OF THE YEAR
A SPECTATOR BOOK OF THE YEAR
AN ECONOMIST BOOK OF THE YEAR
A NEW YORK TIMES ART BOOK OF THE YEAR
From his time as Bernard Berenson’s protégé to being the Keeper of the Western Art at 27 and his appointment as the youngest-ever director of the National Gallery, Kenneth Clark displayed precocious genius. No voice has exercised so much power and influence over the arts in Britain as Clark’s. A formidable aesthete, his coterie included John Betjeman, Winston Churchill, Margot Fonteyn, E.M. Forster, Vivien Leigh, the Queen Mother and Henry Moore. Hidden from view, however, was his wife Jane’s alcoholism and his own philandering. In James Stourton’s dazzling biography, Clark is shown as a man who conveyed the profound beauty and importance of art, architecture and civilisation for generations to come.
Reviews
WINNER OF THE CATHOLIC HERALD BIOGRAPHY OF THE YEAR
‘Richly detailed, colourful and astute and it moves at a cracking pace … a resplendent biography’ Sunday Times
‘Superb … Stourton, a former chairman of Southeby's, is the ideal choice for Clark's official biographer and has produced an accomplished book that is scholarly, entertaining, beautifully written and sympathetic, while far from uncritical’ The Times
‘Stourton has written a matchless biography. His evocation of his subtle, cool and brilliant subject gives an inspiring and even heroic sense of Clark…The book is a joyous read, with a dashing, stylish pace that disguises formidable but unpretentious erudition’, Richard Davenport-Hines, The Oldie
‘Stourton … has done this brilliantly, not only exploring [Clark's] gifts as author, lecturer, film-maker and champion of British art but also as public figure … this assiduous and accomplished biography will bring about a second Great Clark Boom’ Spectator
‘Astutely analyses Clark's emotional and intellectual contradictions’ Observer
‘Delightfully readable and authoritative’ Economist
‘Stourton writes with a blend of passion and coolness perfectly suited to his subject and produces a picture that should satisfy the most pernickety critic’, James Naughtie, Mail on Sunday
‘A lithe, elegant, astute celebration’, Richard Davenport-Hines, New Statesman
‘An elegant and perceptive portrayal of the ultimate arts grandee’, Michael Prodger, New Statesman
‘Outstanding … Stourton's great achievement is to make a unity of Clark's career … this exemplary biography combines Clark's strengths of clarity and concision with the quality he so painfully lacked, warmth’ Country Life
‘James Stourton leaves no stone unturned in Kenneth Clark, his magisterial and engrossing biography, which achieves a perfect balance between Clark’s complex private world and his hugely successful career’, Amanda Foreman
PUBLISHERS WEEKLY
Stourton (Great Collectors of Our Time) traces the extraordinary trajectory of the life of Kenneth Clark, the youngest director of the British National Gallery (appointed at 29), lifelong educator and popularizer of the arts, and star of BBC's groundbreaking documentary series Civilisation, which propelled the tweed-wearing polymath into improbable celebrity status on both sides of the Atlantic. Though Clark's wide circle of acquaintances included the royal family and a staggering array of famous artists, writers, composers, and celebrities, Stourton throughout emphasizes Clark's Ruskinian mission to make art accessible to everyone, as movingly exemplified by the free concerts and Picture of the Month exhibitions Clark hosted at the mostly empty of artwork British National Gallery during WWII to keep morale alive. But Stourton's meticulously researched biography also addresses Clark's many contradictions and eccentricities, like his acrimonious relationship with his wife, and his many convoluted extramarital romances, which Clark entertained into his 70s, supplying humanity to a life that outwardly radiated with a Midas touch. Written with a relish for anecdote (and with Clark's wide social circle, there are many to be told), this book may suffer from an American readership largely unfamiliar with Clark; but those who have seen his epochal Civilisation series will appreciate the chance to explore the life of the man hailed by Neil MacGregor, a former director of the British Museum, as "the most brilliant cultural populist of the twentieth century." B&w photos.
