Less
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4,5 • 2 valutazioni
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- 4,99 €
Descrizione dell’editore
WINNER OF THE PULITZER PRIZE FOR FICTION 2018
A New York Times Notable Book of 2017
A Washington Post Top Ten Book of 2017
A San Francisco Chronicle Top Ten Book of 2017
Longlisted for the Andrew Carnegie Medal for Excellence, the Lambda Award and the California Book Award
'I recommend it with my whole heart' Ann Patchett
'I could not love Less more' Ron Charles, Washington Post
Less is the story of a 49-year-old writer, Arthur Less, who learns that his former boyfriend is about to get married. To avoid the wedding and heartbreak, he decides to embark on a trip around the world, accepting invitations to a series of half-baked lectures and literary events.
From almost falling in love in Paris, almost falling to death in Berlin, to booking himself as the (only) writer on a residency in India, and an encounter in a desert with the last person on earth he wishes to see, Less is a novel about missteps, misunderstanding and mistakes.
'You will sob little tears of joy' Nell Zink
'Marvellously, unexpectedly, endearingly funny' Gary Shteyngart
PUBLISHERS WEEKLY
In Greer's wistful new novel, a middle-aged writer accepts literary invitations around the world making his way from San Francisco to New York, Mexico, Italy, Germany, Morocco, India, and Japan so that he will have an excuse not to attend the wedding of a long-time lover. Arthur Less is not known primarily for his own work but for his lengthy romantic association with a Pulitzer Prize winning author, an older man who was married to a woman when their liaison began, and he believes himself to be the butt of many cosmic jokes and that he is "less than" in most equations. This is partially proven true, but not entirely. And even in Less's mediocrity, when aided by a certain amount of serendipity (and displayed by the author with ironic humor), he affects people. Greer (The Confessions of Max Tivoli), an O'Henry-winning author, writes beautifully, but his occasionally Faulknerian sentences are unnecessary. He is entirely successful, though, in the authorial sleights of hand that make the narrator fade into the background only to have an identity revealed at the end in a wonderful surprise.
