May We Be Forgiven
-
- 6,99 €
-
- 6,99 €
Descrizione dell’editore
Harry is a Richard Nixon scholar who leads a quiet, regular life; his brother George is a high-flying TV producer, with a murderous temper.They have been uneasy rivals since childhood.Then one day George loses control so extravagantly that he precipitates Harry into an entirely new life.
In May We Be Forgiven, Homes gives us a darkly comic look at 21st century domestic life - at individual lives spiraling out of control, bound together by family and history.The cast of characters experience adultery, accidents, divorce, and death. But this is also a savage and dizzyingly inventive vision of contemporary America, whose dark heart Homes penetrates like no other writer - the strange jargons of its language, its passive aggressive institutions, its inhabitants' desperate craving for intimacy and their pushing it away with litigation, technology, paranoia. At the novel's heart are the spaces in between, where the modern family comes together to re-form itself. May We Be Forgiven explores contemporary orphans losing and finding themselves anew; and it speaks above all to the power of personal transformation - simultaneously terrifying and inspiring.
PUBLISHERS WEEKLY
It's difficult to keep track of the number of awful things that happen to Harold Silver in the first 100 pages of Homes's plodding latest novel. It is equally difficult to care that these things happen to him. Harold's brother, whose anger problem is alluded to but never explicitly mentioned, goes crazy and murders his wife, among other acts of cruelty. In the wake of this tragedy, Harold is made legal guardian of his brother's children. Harold's life continues to unravel as he gets a divorce, loses his job, begins online dating, and endures many other crises that require intense self-reflection. Harold eventually triumphs over his various problems, evolving into the loving, supportive, and thoughtful man he's never been, but the process feels forced, implausible, and overwrought. While Homes (The Mistress's Daughter) successfully creates a convincing male protagonist, everything else about Harold's story fails to persuade. If the reader was given a better sense of who Harold was before his life fell apart, we might be more invested in who he later becomes. The novel suffers from Homes's insistence on having Harold's life continually move from bad to worse, forgetting that sometimes less is more.
