My Dear I Wanted to Tell You
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- 7,49 €
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- 7,49 €
Descrizione dell’editore
A letter, two lovers, a terrible lie. In war, truth is only the first casualty.
‘Inspires the kind of devotion among its readers not seen since David Nicholls’ One Day’ The Times
While Riley Purefoy and Peter Locke fight for their country, their survival and their sanity in the trenches of Flanders, Nadine Waveney, Julia Locke and Rose Locke do what they can at home.
Beautiful, obsessive Julia and gentle, eccentric Peter are married: each day Julia goes through rituals to prepare for her beloved husband’s return. Nadine and Riley, only eighteen when the war starts, and with problems of their own already, want above all to make promises – but how can they when the future is not in their hands? And Rose? Well, what did happen to the traditionally brought-up women who lost all hope of marriage, because all the young men were dead?
Reviews
‘Every once in a while comes a novel that generates its own success, simply by being loved. Louisa Young’s My Dear I Wanted to Tell You inspires the kind of devotion among its readers not seen since David Nicholls’ One Day’
The Times
‘Birdsong for the new millennium’ Tatler
‘Powerful, sometimes shocking, boldly conceived, it fixes on war’s lingering trauma to show how people adapt – or not – and is irradiated by anger and pity’ Sunday Times
‘[A] tender, elegiac novel. Others have been here before, of course, from Sebastian Faulks to Pat Barker, but Young belongs in their company’ Mail on Sunday
‘Unmissable … in crisp poignant prose Young explores what war really means in terms of mental anguish, while cleverly commenting on class and sex’ Marie Claire
‘Weaving heartbreakingly painful irony, heroic sacrifice, human weakness, vanity, tragedy and the purest of loves, you’ll be left sobbing and grasping onto any hope that all is not lost amid the poppies, the guns and the hospital beds’ Easy Living
‘A memorable and unusual novel which explores new ground in the literature of the Great War’ Linda Grant
‘This novel is a triumph’ Elizabeth Jane Howard
‘Young has a historian’s eye for the private details of war, and a warmth to her prose that makes her small cast emotionally engaging … Through Riley, however, the novel achieves an appeal to compassion and courage that deserves to reach a wide audience … Hindsight tells us peace will not be final, but Young conveys, beautifully, the universal wish that it might be’ Independent
‘Beautifully realised’ Daily Express
‘Masterfully conveyed’ Woman & Home
‘Full of drama, betrayal and addictive real-life detail’ Red
‘A moving and powerful novel, one you’re not likely to forget’ Choice
‘A book that should be read by everyone’ New Books
About the author
Louisa Young was born in London. She was for many years a freelance journalist, working mostly for the motorcycle press, for Marie Claire and for the Guardian. She has travelled widely and published ten books. She lives in London and Italy with her daughter. She is the adult half of Zizou Corder, authors of the best-selling Lionboy trilogy, which is published in 36 languages.
PUBLISHERS WEEKLY
Singular in quality, if not unique in plot or tone, Young's WWI novel, her adult debut after coauthoring the Lionboy YA trilogy, follows two emblematic couples: Peter and Julia Locke, lovely and well-placed until their relationship disintegrates under the pressure of war and changing conventions, and, more centrally, working class Riley and posh Nadine, who, in a nice bit of symmetry, are hampered before the war by the very upper crustiness that the Lockes embody, but are subsequently more free to love each other and better suited by their modernity and openness to survive. Still, separation and a terrible injury ensure uncertainty and tension. The plot has a certain Atonement feel to it working-class boy is semiadopted by upper-middle-class family and educated beyond his station, then falls unacceptably in love with their independent-minded daughter and goes to war while she becomes a nurse but the similarities become increasingly irrelevant as Young's characters come into their own and easily shoulder the burden of escorting readers through an unsensationalized and thoughtful story of English class, world war, and that universal constant love.