Naming UsuriesTyranny

Naming Usuries Tyranny is a hybrid work—poetry, pamphlet, satire, elegy, and civic brief—written as a witness statement against a world where shelter, time, and dignity are priced through debt. Moving between imagined introductions (including a Ruskin-like foreword) and a "sourced essay in fourteen movements after Cicero," the collection argues that recurring crises in housing affordability, inequality, and political legitimacy cannot be separated from the architecture of money creation, credit allocation, and tax design.

At its center is a sustained refusal of "neutral" technocratic language. The poems and orations return again and again to the laundering of harm into respectability—prudence, independence, stability—and to the way private credit-money inflates assets, disciplines labour, and turns homes into leveraged collateral. The Bank for International Settlements appears not as a cartoon villain but as a symbolic node: a coordinating temple of central-banking consensus and Basel-style standards that shape incentives, constrain democratic choice, and protect balance sheets faster than households.

Formally, the book ranges widely: riddles that "name the hidden power," prophetic Blakean sequences ("The Conquest of Dough"), Odyssean rewrites of blame-shifting and institutional evasion, and intimate memorial pieces that insist white-collar harm is not bloodless—only slow, dispersed, and easy to deny. The work closes toward reconstruction: money and payments as public utility, credit guided toward productive and social ends, taxes shifted toward land/location value, and housing treated as infrastructure rather than a speculative game.