No Dominion
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4,0 • 1 valutazione
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- 8,99 €
Descrizione dell’editore
Joe Pitt’s life sucks. He hasn’t had a case or a job in God knows how long and his stashes are running on empty. What stashes? The only ones that count to a guy like Joe: blood and money. The money he uses to buy blood; the blood he drinks. Hey, buddy, it’s that or your neck—you want to choose? The only way to lay his hands on both is to take a gig with the local Vampyre Clan. See, something new is on the streets, a new high, a high so strong it can send a Vampyre spazzing through Joe’s local watering hole. Till Joe sends him through a plate-glass window, that is.
So it’s time for Joe to gut up and swallow that pride and follow the leads wherever they go. It won’ t be long before he’s slapping stoolies, getting sapped, and being taken for a ride above 110th Street. Someone’s pulling Joe’s strings, and now he’s riding the A train, looking to find who it is. He’s gonna cut them when he finds them—the strings and the hands that hold them.
PUBLISHERS WEEKLY
Huston's stylish sophomore outing for hard-boiled vampire detective Joe Pitt maintains the high quality of its predecessor, Already Dead (2005). When a fellow bloodsucker who seems revved up on drugs picks a bar fight with Pitt, the detective discovers that a new drug has hit the street, one strong enough to cut through the vampire virus and make its users do unpredictable things, things that could bring unwelcome exposure to New York's vampire community. Word has it that the drug, "anathema," comes from suppliers in Harlem. The leader of the Society Clan of vampires hires Pitt to investigate uptown, but the all-black vampire clan called the Hood, run by one DJ Grave Digga, has other plans in mind for the rogue detective. Meanwhile, Pitt's HIV-positive girlfriend Evie, who's struggling with a new round of medication, is beginning to lose patience with Pitt's secrecy and disappearances. Indeed, the doomed love story at the heart of Huston's action-filled epic is what truly makes this a noir novel, and the undead microcosm of society he creates is both surprisingly relevant and entertaining.
