Saving CeeCee Honeycutt
A Novel
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- 9,49 €
Descrizione dell’editore
Steel Magnolias meets The Help in this New York Times Bestselling Southern debut novel sparkling with humor, heart, and feminine wisdom.
Twelve-year-old CeeCee Honeycutt is in trouble. For years, she has been the caretaker of her mother, Camille, the town’s tiara-wearing, lipstick-smeared laughingstock, a woman who is trapped in her long-ago moment of glory as the 1951 Vidalia Onion Queen of Georgia. When tragedy strikes, Tootie Caldwell, CeeCee’s long-lost great-aunt, comes to the rescue and whisks her away to Savannah. There, CeeCee is catapulted into a perfumed world of prosperity and Southern eccentricity—one that appears to be run entirely by strong, wacky women.
From the exotic Miz Thelma Rae Goodpepper, who bathes in her backyard bathtub and uses garden slugs as her secret weapons; to Tootie's all-knowing housekeeper, Oletta Jones; to Violene Hobbs, who entertains a local police officer in her canary-yellow peignoir, the women of Gaston Street keep CeeCee entertained and enthralled for an entire summer.
A timeless coming of age novel set in the 1960s, Saving CeeCee Honeycutt explores the indomitable strengths of female friendship, and charts the journey of an unforgettable girl who loses one mother, but finds many others in the storybook city of Savannah. As Kristin Hannah, author of Fly Away, says, Beth Hoffman's sparkling debut is “packed full of Southern charm, strong women, wacky humor, and good old-fashioned heart."
PUBLISHERS WEEKLY
Hoffman's debut, a by-the-numbers Southern charmer, recounts 12-year-old Cecelia Rose Honeycutt's recovery from a childhood with her crazy mother, Camille, and cantankerous father, Carl, in 1960s Willoughby, Ohio. After former Southern beauty queen Camille is struck and killed by an ice cream truck, Carl hands over Cecelia to her great-aunt Tootie. Whisked off to a life of privilege in Savannah, Ga., Cecelia makes fast friends with Tootie's cook, Oletta, and gets to know the cadre of eccentric women who flit in and out of Tootie's house, among them racist town gossip Violene Hobbs and worldly, duplicitous Thelma Rae Goodpepper. Aunt Tootie herself is the epitome of goodness, and Oletta is a sage black woman. Unfortunately, any hint of trouble is nipped in the bud before it can provide narrative tension, and Hoffman toys with, but doesn't develop, the idea that Cecelia could inherit her mother's mental problems. Madness, neglect, racism and snobbery slink in the background, but Hoffman remains locked on the sugary promise of a new day.
