Sinatra
The Chairman
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- 3,99 €
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- 3,99 €
Descrizione dell’editore
Just in time for the Chairman's centennial, the endlessly absorbing sequel to James Kaplan's bestselling Frank: The Voice
Finally the definitive biography that Frank Sinatra, justly termed 'The Entertainer of the Century,' deserves and requires. Like Peter Guralnick on Elvis, Kaplan goes behind the legend to give us the man in full, in his many guises and aspects: peerless singer, (sometimes) powerful actor, business mogul, tireless lover and associate of the powerful and infamous.
In 2010's Frank: The Voice, James Kaplan, in rich, distinctive, compulsively-readable prose, told the story of Frank Sinatra's meteoric rise to fame, subsequent failures, and reinvention as a star of the stage and screen. The story of 'Ol' Blue Eyes; continues with Sinatra: The Chairman, picking up the day after Frank claimed his Academy Award in 1954 and had reestablished himself as the top recording artist in music.
Frank's life post-Oscar was incredibly dense: in between recording albums and singles, he often shot four or five movies a year; did TV show and nightclub appearances; started his own label, Reprise; and juggled his considerable commercial ventures (movie production, the restaurant business, even prizefighter management) alongside his famous and sometimes notorious social activities and commitments.
PUBLISHERS WEEKLY
The great singer-actor contains multitudes in this vast, engrossing biography of Frank Sinatra's mature years. Completing his bestselling Frank: The Voice, Kaplan follows the 17-year span from Sinatra's Oscar-winning role in 1954's From Here to Eternity to his (first) retirement in 1971, a period when he was a commanding Hollywood star and the acknowledged master of the American songbook. Kaplan delves with gusto into Sinatra's seething contradictions: swagger and insecurity; sensitivity and callousness; deep loneliness amid a perpetual throng of cronies; an omnivorous sexual appetite that encompassed polar opposites Ava Gardner and Mia Farrow; lordly generosity combined with tyrannical control and a violent compulsion to push people around (most memorably when, while dressed as an Native American woman at a benefit event, he got in a shoving match with a cowboy-costumed John Wayne and then, to work off his anger, had a bodyguard beat up a parking attendant). Kaplan's sympathetic but unflinching narrative revels in the entertainer's scandalous private life while offering rapt, insightful appreciations of his sublime recording and stage performances. It situates him and his Rat Pack at the Vegas headquarters of a postwar American culture that yoked mobsters and prostitutes to Kennedys and other luminaries. His Sinatra is often appalling, sometimes inspiring, and always a fascinating icon of an energetic, resonant, yet doomed style of masculinity. Photos.
