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Someday This Pain Will Be Useful to You is the story of James Sveck, a sophisticated, vulnerable young man with a deep appreciation for the world and no idea how to live in it. James is eighteen, the child of divorced parents living in Manhattan. Articulate, sensitive, and cynical, he rejects all of the assumptions that govern the adult world around him–including the expectation that he will go to college in the fall. He would prefer to move to an old house in a small town somewhere in the Midwest. Someday This Pain Will Be Useful to You takes place over a few broiling days in the summer of 2003 as James confides in his sympathetic grandmother, stymies his canny therapist, deplores his pretentious sister, and devises a fake online identity in order to pursue his crush on a much older coworker. Nothing turns out how he'd expected.
"Possibly one of the all-time great New York books, not to mention an archly comic gem" (Peter Gadol, LA Weekly), Someday This Pain Will Be Useful to You is the insightful, powerfully moving story of a young man questioning his times, his family, his world, and himself.
James Sveck, the 18-year-old protagonist of Cameron's (The City of Your Final Destination) first novel for young adults, is a precocious, lonely and confused Manhattanite who believes he would be happier buying a house in Kansas surrounded by a sleeping porch than entering Brown University as planned and being surrounded by his peers. "I don't like people in general and people my age in particular," he explains, demonstrating his obsessive concern with language, "and people my age are the ones who go to college . I'm not a sociopath or a freak (although I don't suppose people who are sociopaths or freaks self-identify as such); I just don't enjoy being with people." He claims people "rarely say anything interesting to each other," but his own observations are fresh and incisive as he reports on his exchanges at home and at work. As the novel opens, in July 2003, James's cynical older sister is having an affair with a married professor of language theory; his mother ditches her third husband on their Las Vegas honeymoon after he steals her credit cards to gamble; his high-powered father asks if he's gay; and James is stuck working at his mother's art gallery, which has mounted an exhibit by an artist with no name, of garbage cans decoupaged with pages torn out of the Bible, Koran and Torah. James's elaborate daily entries interlace with a series of flashbacks to gradually reveal the recent panic attack that has landed him in psychotherapy. Descriptions of these sessions offer not only more fodder for James's sardonic critiques of a self-indulgent society, but also an achingly tender portrait of a devastatingly alienated young man. A single reference yields something of an explanation: James saw, at close range, the planes crash into the Twin Towers. The closest he can come to commenting is to turn to a story about a woman whose disappearance after 9/11 went unnoticed for a month: " didn't make me sad. I thought it was beautiful. To die like that to sink without disturbing the surface of the water." With its off-balance marriage of the comedic and the deeply painful, its sympathetic embrace of its characters and its hard-won hope, this smart and elegantly written novel merits a wide readership. Ages 14-up.