Sword Stone Table
Old Legends, New Voices
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- 3,49 €
Descrizione dell’editore
From the vast lore surrounding King Arthur, Camelot, and the Knights of the Round Table, comes an anthology of gender-bent, race-bent, LGBTQIA+ inclusive retellings.
Featuring stories by: Alexander Chee • Preeti Chhibber • Roshani Chokshi • Sive Doyle • Maria Dahvana Headley • Ausma Zehanat Khan • Daniel M. Lavery • Ken Liu • Sarah MacLean • Silvia Moreno-Garcia • Jessica Plummer • Anthony Rapp • Waubgeshig Rice • Alex Segura • Nisi Shawl • S. Zainab Williams
Here you’ll find the Lady of the Lake reimagined as an albino Ugandan sorceress and the Lady of Shalott as a wealthy, isolated woman in futuristic Mexico City; you'll see Excalibur rediscovered as a baseball bat that grants a washed-up minor leaguer a fresh shot at glory and as a lost ceremonial drum that returns to a young First Nations boy the power and the dignity of his people. There are stories set in Gilded Age Chicago, '80s New York, twenty-first century Singapore, and space; there are lesbian lady knights, Arthur and Merlin reborn in the modern era for a second chance at saving the world and falling in love—even a coffee shop AU.
Brave, bold, and groundbreaking, the stories in Sword Stone Table will bring fresh life to beloved myths and give long-time fans a chance to finally see themselves in their favorite legends.
PUBLISHERS WEEKLY
Krishna and Northington bring together 16 diverse retellings of Arthurian legend to create an anthology of breathtaking breadth, depth, and creativity. Daniel M. Lavery's "How, After Long Fighting, Galehaut Was Overcome by Lancelot Yet Was Not Slain and Made Great Speed to Yield to Friendship; Or, Galehaut, the Knight of the Forfeit" is an utter revelation that casts the concept of chivalry in a new light. Other standouts include Waubgeshig Rice's moving, gorgeous "Heartbeat," about an Anishinaabe preteen named Art who unearths a stone to find long-hidden ancestral drums; Jessica Plummer's hilarious "Flat White," in which the Lady of Shalott acts as Lancelot's barista; Silvia Moreno-Garcia's haunting, understated "A Shadow in Amber," which follows a nameless narrator as she obsesses over Lancelot, whose illegally trafficked memories she pays to experience; and Alexander Chee's "Little Green Men," a Mars-set exploration of reality TV celebrity culture filtered through "Sir Gawain and the Green Knight." There isn't a bad story in the bunch, and the anthology offers such a variety of style, theme, and genre that die-hard Arthurian fans and more casual readers will be equally delighted. This is a must-read.
