The Creeps
A Samuel Johnson Tale
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- 11,99 €
Descrizione dell’editore
In this delightfully imaginative novel, once again, hell threatens to break loose as Samuel Johnson and his ragtag group of friends must defend their town from shadowy forces more threatening than ever before...
In this clever and quirky follow-up to The Gates and The Infernals, Samuel Johnson's life seems to have finally settled down—after all, he’s still got the company of his faithful dachshund, Boswell, and his bumbling demon friend, Nurd; he has foiled the dreaded forces of darkness not once, but twice; and he’s dating the lovely Lucy Highmore, to boot.
But things in the little English town of Biddlecombe rarely run smoothly for long. Shadows are gathering in the skies, a black heart of pure evil is bubbling with revenge, and it rather looks as if the Multiverse is about to come to an end, starting with Biddlecombe. When a new toy shop’s opening goes terrifyingly awry, Samuel must gather a ragtag band of dwarfs, policemen, and very polite monsters to face down the greatest threat the Multiverse has ever known, not to mention assorted vampires, a girl with an unnatural fondness for spiders, and highly flammable unfriendly elves.
The latest installment of John Connolly’s wholly original and creepily imaginative Samuel Johnson Tales, The Creeps is humorous horror for anyone who enjoys fiction at its best.
PUBLISHERS WEEKLY
The modest English town of Biddlecombe has largely recovered from the events of The Infernals and hesitantly welcomed a few friendly demons. The demon Mrs. Abernathy is being recovered one molecule at a time by a servant of the Great Malevolence, and a team of CERN scientists is studying how a sleepy town became the nexus for a great deal of trans-dimensional activity. Added to the mix are a performing troupe of ill-behaved little people, a washed-up boy band, and creatures of dark matter that are even worse than demons. The sweetness of protagonist Samuel Johnson's nature and his friendship with the demon Nurd, which were cornerstones of the previous two books, are obscured by the comic set pieces. Even Connolly's energetic storytelling and funny, capacious footnotes can't contain the bursting seams of his trilogy's finale.
