The Fortunes
-
- 3,99 €
Descrizione dell’editore
Ah Ling: son of a prostitute and a white 'ghost', dispatched from Hong Kong as a boy to make his way alone in 1860s California.
Anna Mae Wong: the first Chinese film star in Hollywood, forbidden to kiss a white man on screen.
Vincent Chin: killed by a pair of Detroit auto workers in 1982 simply for looking Japanese.
John Ling Smith: a half-Chinese writer visiting China for the first time, to adopt a baby girl.
Inspired by three figures who lived at pivotal moments in Chinese-American history, and drawing on his own mixed-race experience, Peter Ho Davies plunges us into what it is like to feel, and be treated, like a foreigner in the country you call home.
Ranging from the mouth of the Pearl River to the land of golden opportunity, this remarkable novel spans 150 years to tell a tale of familial bonds denied and fragmented, of tenacity and pride, of prejudice and the universal need to belong.
PUBLISHERS WEEKLY
Though billed as a novel, The Fortunes could more aptly be described as a collection of four novellas, each of which explores a different facet of Chinese-American experience. The first section, "Gold," is set during the mid-19th century and follows Ling, an orphan, from his childhood on Pearl River in China to Gold Mountain, Calif., where he works first in a laundry and then as a valet before becoming an unlikely organizer of Chinese workers building the Central Pacific Railway. In "Silver," Davies imagines the lonely inner life of 1930s actress Anna May Wong, Hollywood's first Chinese-American star, who has affairs with many leading men but never marries any of them. "Jade" takes place in the 1980s, against the backdrop of the dying American auto industry, and focuses on the mistaken identity of a Chinese-American man taken to be Japanese in a deadly strip club brawl. In "Pearl," the final section, a present-day middle-aged American writer, whose mother was from China, now finds himself there for the first time to adopt a baby girl with his Caucasian wife. The book's scope is impressive, but what's even more staggering is the utter intimacy and honesty of each character's introspection. More extraordinary still is the depth and the texture created by the juxtaposition of different eras, making for a story not just of any one person but of hundreds of years and tens of millions of people. Davies (The Welsh Girl) has created a brilliant, absorbing masterpiece.
