The Modern Fairies
An intriguing, sexy historical novel set in the literary salons where some of our favourite fairytales took form
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- 8,99 €
Descrizione dell’editore
WINNER OF THE TADEUSZ BRADECKI PRIZE
SHORTLISTED FOR THE ENCORE AWARD
‘A novel with oodles of charm’ The Times
‘Elegant, decadent, vulgar, clever, enchanting and dark’ Sarah Perry, author of Enlightenment
Versailles, 1682: a city of the rich, a living fairy-tale, Louis XIV's fever dream. It's a place of opulence, beauty, and power. But strip back the lavish exterior of polite society, and you'll find a dark undercurrent of sexual intrigue and vicious gossip. Nobody is safe here - no matter how highly born they are.
No one knows this better than Madame Marie d'Aulnoy. Each week, a rogue group of intellectuals gather at her Parisian home to debate, flirt and perform Contes de Fées - fairy tales - that challenge the status quo, at a salon that will change the course of literature forever. But while they weave tales of glass slippers, enchanted beasts and long-haired princesses, a wolf is lurking, who threatens to destroy the members of the salon one by one.
Brilliant and bawdy, romantic and provocative, The Modern Fairies is a dazzling novel inspired by real events, about the delights and dangers of storytelling in dark times.
‘Funny, filthy, dancingly clever ... A delectable confection of many-layered pleasures … I gobbled it all up, Joanna Quinn, author of The Whalebone Theatre
‘The sentences sing on the page with wit and intelligence ... Reminds the reader of the enduring power of storytelling to transform and even save lives, then and now’ The New York Times
PUBLISHERS WEEKLY
Pollard (Delphi) delivers a delightfully raunchy romp through the court of Louis XIV in 1682 Paris. A group of women led by Madame Marie d'Aulnoy meet regularly to discuss 25 fairy tales, which lend themselves to the title and themes of each chapter, beginning with "The Tale of Donkey-Skin," about a king who seeks to marry his daughter. Soon men start joining the gatherings, and the group is dubbed the Modern Fairies by others at court. As the members discuss the tales of Cinderella, Rapunzel, and Prince Charming, the women note how their own husbands could have them banished for infidelity—indeed, one of them has been sleeping with a bachelor member of the Modern Fairies while her husband is away. In "The Tales of Anguillete and Red Riding Hood," Pollard's omniscient narrator suggests there's a "wolf" monitoring the group for Louis XIV, who fears the political power of storytelling. Pollard's ribald prose is addictively amusing, as in her depiction of the king as "short, pockmarked, always some problem with his arsehole... his little dick florid with some new sexually transmitted infection... such a pathetic little horn-dog." This magnetic revisionist historical deserves a wide readership.
