The Tao of Bill Murray
Real-Life Stories of Joy, Enlightenment, and Party Crashing
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- 14,99 €
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- 14,99 €
Descrizione dell’editore
People love Bill Murray movies, but even more, they love crazy stories about Bill Murray out in the world.
Bill reads poetry to construction workers. Bill joins in strangers' kickball games. Bill steals a golf cart in Stockholm. Bill follows the Roots – a hip hop band – around. Bill pays a kid $5 to ride his bicycle into a swimming pool.
The most popular Bill Murray story of all time (which he will neither confirm nor deny): on a crowded street, he puts his hands over a stranger's eyes from behind and says "Guess who?" When he lifts his hands to reveal his identity as Bill Murray, he tells the gobsmacked stranger, "No one will ever believe you."
For The Tao of Bill Murray: Real-Life Stories of Joy, Enlightenment, and Party Crashing, best-selling author Gavin Edwards tracked down the best authentic Bill Murray stories. People savour these anecdotes; they consume them with a bottomless hunger; they routinely turn them into viral hits.
The book not only has the greatest hits of Bill's eye-opening interactions with the world, it puts them in the context of a larger philosophy (revealed to the author in an exclusive interview): Bill Murray is secretly teaching us all how to live our lives.
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Fans of actor and comedian Bill Murray have likely heard of the star's habit of randomly showing up in the most unexpected places, only to vanish just as quickly. Rolling Stone contributing editor Edwards (Last Night at the Viper Room: River Phoenix and the Hollywood He Left Behind) investigates this and the star's other off-kilter antics and the philosophy behind them. Edwards does an admirable job of profiling Murray's unique approach to life, friendship, and work, via interviews with the actor himself as well as friends, collaborators, and those acquaintances. The book is bursting with anecdotes that underline Murray's unconventional and fun-loving life: he's commandeered a street cleaner, crashed an off-campus house party and started doing the dishes, and driven a cab while the cabby practiced playing saxophone in the back seat. Edwards provides a rough biographical sketch of Murray, but excels far more in his assessments of Murray's films, which comprise the final third of the book. Murray's fans are sure to savor this book and walk away with a deeper appreciation of the actor and his work.
