The Things That Keep Us Here
A Novel
-
- 6,49 €
Descrizione dell’editore
Everything seems quiet on Ann Brooks’s suburban cul-de-sac. Despite her impending divorce, she’s created a happy home and her daughters are adjusting to the change. She feels lucky to be in a supportive community and confident that she can handle any other hardship that life may throw her way. But then, right before Thanksgiving, a crisis strikes that turns everybody’s world upside down. Suddenly her estranged husband is forced back onto her doorstep, bringing with him his beautiful graduate assistant. Trapped inside the house she once called home, confronted by challenges she never could have imagined, Ann must make life-or-death decisions in an environment where the simple act of opening a door to a neighbor could jeopardize all she holds dear.
The choices she makes will impact the lives of those around her irrevocably and linger in the reader’s memory in this marvelous first novel, written with authority, grace, and wisdom.
BONUS: This edition contains a The Things That Keep Us Here discussion guide.
PUBLISHERS WEEKLY
A timely premise can't quite compensate for structural deficiencies in Buckley's lackluster debut novel. Ann Brooks and her family have anticipated the possibility of pandemic avian flu for months; Ann's estranged husband, Peter, after all, has been researching the mysterious illness at his university research job. When the flu with a near-50% fatality rate closes in on the Columbus, Ohio, home where Ann and her two daughters live, Peter and his exotically beautiful Ph.D. student, Shazia, move in to pool resources, but desperation grows as heat, food and water dwindle, and the threat of death looms (sometimes literally) on their doorstep. Although pseudoscientific reports and news bulletins add to the novel's "ripped from the headlines" feel, emotional revelations are handled less skillfully. A tragedy in Ann and Peter's past, after numerous veiled allusions, is finally revealed in an unsatisfying throwaway in the epilogue. The third-person narration squanders the tensions among Ann, Peter and Shazia, resulting in flat and unsurprising epiphanies. Although Buckley raises important questions about trust, loyalty and forgiveness, the narrative flaws detract from the overall effect.
