They All Love Jack

The “research is undoubtedly impressive” on this “bloody good read” proposing a theory behind the police cover-up that allowed Jack the Ripper to go free (The Guardian).

For over a hundred years, the mystery of Jack the Ripper has been a source of unparalleled fascination and horror, spawning an army of obsessive theorists and endless volumes purporting to finally reveal the identity of the brutal murderer who terrorized Victorian England.

In They All Love Jack, the award–winning film director and screenwriter Bruce Robinson exposes the cover-up that enabled one of history’s most notorious serial killers to remain at large. More than twelve years in the writing, this is no mere radical reinterpretation of the Jack the Ripper legend and an enthralling hunt for the killer. A literary high-wire act reminiscent of Tom Wolfe or Hunter S. Thompson, it is an expressionistic journey through the cesspools of late-Victorian society, a phantasmagoria of highly placed villains, hypocrites, and institutionalized corruption.

Polemic forensic investigation and panoramic portrait of an age, underpinned by deep scholarship and delivered in Robinson’s vivid and scabrous prose, They All Love Jack is an absolutely riveting and unique book, demolishing the theories of generations of self-appointed experts—the so-called Ripperologists—to make clear, at last, who really did it; and, more important, how he managed to get away with it for so long.

“The most involving, audacious, and wonderfully bonkers book of the year.” —Irish Times

“Robinson reclaims the identity and humanity of the victims, and ensures that nobody who reads this remarkable book will ever forget the true circumstances of these crimes.” —The Daily Telegraph