- Theatre and Adaptation
- Theatre and Archival Memory
- Theatre and AutoBiography
- Theatre and Cabaret Comedy Songs - Men's Edition
- Theatre and Cabaret Comedy Songs - Women's Edition
- Theatre and Cartographies of Power
- Theatre and Cognitive Neuroscience
- Theatre and Dictatorship in the Luso-Hispanic World
- Theatre and Disability
- Theatre and Everyday Life
- Theatre and Evolution from Ibsen to Beckett
- The Theatre and Films of Martin McDonagh
- Theatre and Globalization
- Theatre and Governance in Britain, 1500–1900
- Theatre and Identity in Imperial Russia
- Theatre and Internationalization
- Theatre and Ireland
- Theatre and Knowledge
- Theatre and Music in Manila and the Asia Pacific, 1869-1946
- Theatre and National Identity
- Theatre and National Identity in Colonial India
- Theatre and Performance Design
- Theatre and Performance in Digital Culture
- Theatre and Performance in East Africa
- Theatre and Performance Theory
- Theatre and Performing Arts Collections
- Theatre and Politics
- Theatre and Postcolonial Desires
- Theatre and Residual Culture
- Theatre and Scotland
- Theatre and The Body
- Theatre and the City
- Theatre and The Rural
- The Theatre and the State in Singapore
- Theatre and the State in Twentieth-Century Ireland
- Theatre and the World
- Theatre and War
- Theatre Artisans and Their Craft
- The Theatre Arts Audition Book for Men
- The Theatre Arts Audition Book for Women
- Theatre Arts on Acting
- Theatre as Sign System
- Theatre as Witness
- Theatre at the Crossroads of Culture
- Theatre Audiences
- Theatre Aurality
- Theatre Blogging
- Theatre Café Plays Three
- Theatre Craft
- Theatre Criticism
- Theatre Engineering and Stage Machinery
- Theatre for Early Years
- Theatre for Peacebuilding
- Theatre for Shakespeare
- Theatre for Youth Third Space
- Theatre from Rhodesia to Zimbabwe
- Theatre History Studies 2014, Vol. 33
- Theatre History Studies 2015, Vol. 34
- Theatre History Studies 2016, Vol. 35
- Theatre in a Time of Change
- Theatre in Dublin, 1745–1820
- Theatre in Education in Britain
- Theatre in Europe Under German Occupation
- Theatre in French Canada
- Theatre in Market Economies
- Theatre in Pieces: Politics, Poetics and Interdisciplinary Collaboration
- Theatre in the Context of the Yugoslav Wars
- Theatre in the Solovki Prison Camp
- Theatre in Times of Crisis
- Theatre Institutions in Crisis
- Theatre Is More Beautiful Than War
- Theatre Lighting In the Age of Gas
- Theatre Magazine: Vol. 35
- Theatre Music and Sound at the RSC
- Theatre of Anger
- Theatre of Animation
- The Theatre of Black Americans
- Theatre of Catastrophe
- The Theatre of Christopher Durang
- Theatre of Conscience 1939-53
- The Theatre of Death – The Uncanny in Mimesis
- The Theatre of E. E. Cummings
- Theatre of Exile
- Theatre of Fear & Horror: Expanded Edition
- The Theatre of Howard Barker
- The Theatre of Imagining
- The Theatre of Katie Mitchell
- The Theatre of Martin Crimp epub
- Theatre of Movement and Gesture
- The Theatre of Revolt
- The Theatre of Richard Maxwell and the New York City Players
- The Theatre of Romeo Castellucci and Socìetas Raffaello Sanzio
- The Theatre of Rupert Goold
- The Theatre of Simon Stephens
- The Theatre of Societas Raffaello Sanzio
- The Theatre of the Absurd
- The Theatre of the Bauhaus
- Theatre of the People
- Theatre of the Sphere
- Theatre of the Unimpressed
- The Theatre of Thomas Ostermeier
- The Theatre of War
- Theatre Pedagogy and Performed Research: Respectful Forgeries and Faithful Betrayals (Report)
- Theatre Pedagogy in the Era of Climate Crisis
- The Theatre Practice of Tadashi Suzuki
- Theatre Props and Civic Identity in Athens, 458-405 BC
- Theatre Sound
- Theatre Space: A Rediscovery Reported
- Theatre Studies: The Basics
- Theatre Studios
- Theatre Symposium, Vol. 17
- Theatre Symposium, Vol. 22: Broadway and Beyond
- Theatre Symposium, Vol. 23
- Theatre Symposium, Vol. 24
- Theatre Symposium, Vol. 9
- Theatre Tales (Pre-Andrew Lloyd Webber)
- Theatre Theory Reader
- Theatre Today
- Theatre Translation
- Theatre, Body and Pleasure
- Theatre, Community, and Civic Engagement in Jacobean London
- Theatre, Drama and Audience in Goethe's Germany
- Theatre, Education and Performance
- Theatre, Exhibition, and Curation
- Theatre, Globalization and the Cold War
- Theatre, Performance and Change
- Theatre, Performance and Cognition
- Theatre, Performance and Technology
- Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre
- Theatre, Social Media, and Meaning Making
- Theatre/Archaeology
- Theatre: A Very Short Introduction
- Theatre: The Rediscovery of Style and Other Writings
- Theatrefolk's Ten-Minute Play Collection
- Theatremonkey
- Theatrepei: The Emergence and Development of a Local Theatre.
- Theatres and Concert Halls of Fellner and Helmer
- Theatres in the Round
- Theatres of Achievement
- Theatres of Dust
- Theatres of Feeling
- Theatres of Hawai'i
- Theatres of Independence
- The Theatres of Moliere
- Theatres of Oakland
- Theatres of Portland
- Theatres of San Francisco
- Theatres of War
- Theatric Tourist
- Theatrical and Circus Life
- Theatrical and Circus Life: Secrets of the Stage, Green-Room and Sawdust Arena
- Theatrical Costume, Masks, Make-Up and Wigs
- Theatrical Custom Versus Rights: The Performers' Dispute with the Proprietors of Covent Garden in 18...
- Theatrical Design
- The Theatrical Event
- The Theatrical Firearms Handbook
- The Theatrical Image by Clay and Krempel
- The Theatrical Juggernaut (The Psyche of the Star)
- The Theatrical Mediation
- Theatrical Nation
- Theatrical Performance and the Forensic Turn
- The Theatrical Primer
- The Theatrical Professoriate
- The Theatrical Public Sphere
- Theatrical Space
- The Theatrical Spectaculum
- Theatrical Speech Acts: Performing Language
- Theatrical Theology
- Theatrical Topographies
- Theatrical Unrest
- Theatrical Wonder, Amazement, And the Construction of Spiritual Agency in Paradise Lost.
- Theatricalising Narrative Research on Women Casual Academics
- Theatricality and Performativity
- The Theatricality of Greek Tragedy
- Theatricals
- Theatricals. Two comedies. Tenants. Disengaged. (Second series. The Album. The Reprobate.).
- Theatricals. Two Comedies. Tenants. Disengaged. [Both in three acts and in prose.]