24/7
Living It Up and Doubling Down in the New Las Vegas
-
- ¥710
-
- ¥710
発行者による作品情報
In the spring of 1998, mild-mannered, Ivy League-educated Andrés Martinez took $50,000--most of the advance his publisher was paying for this book--and headed to Las Vegas for thirty days, ten casinos, and a wild ride through the belly of a neon beast. The result: this brilliant, often hilarious chronicle of flesh, flash, and gambling in a city where everyone dreams of hitting the jackpot--and once in a while, someone actually does.
From seedy strip clubs to sprawling suburbs, from the sumptuous Bellagio to the Liberace Museum, Martinez meets a host of colorful characters...gathering tricks of the trade from blackjack dealers and fellow bleary-eyed gamblers, attending Easter Sunday mass on the Strip, befriending a family man who raised six kids while losing eight million dollars as a sports gambler. An exhilarating joyride of a read, 24/7 is a breathless tour of America's Sin City...as seen through the eyes of a man making $1.65 million in wagers in a single month. Guess how much he took home?
PUBLISHERS WEEKLY
Here's the concept: ex-lawyer and ex-Wall Street Journal reporter Martinez visits some 10 casino hotels in five frantic weeks, jeopardizing $50,000--most of his book advance--at blackjack, baccarat, roulette and the slots. His overstuffed journal sandwiches brief glimpses of the changing city--via such characters as a local historian and a minister/bathroom attendant at a topless bar--within a lengthy blow-by-blow account of his time at the tables. Some engaging passages do capture local lunacy--Martinez's betting pace quickly gets him comped, and he shepherds a Gamblers Anonymous member cashing her paycheck at a casino so that she will leave the premises without gambling her money away. And Martinez displays a sly wit, observing, for example, that future archeologists will conclude that "Las Vegas was an important religious center." However, though he ends each section with a report on his ever-fluctuating "nest egg," and inserting reflections on Dostoyevski's The Gambler, Martinez doesn't elevate his notebook into narrative. He recounts the antic thrill of dropping $450 in new winnings on a gift for his wife, but never reveals enough to convey what risking his stake means to him. Indeed, though the author, returning to Vegas after his initial stint, ends up losing big, he concludes his book with a happy shrug, having "felt the exhilaration of truly letting go." His whimsicality makes one wonder about the source of his immunity toward ill fortune.
