A Bit of Difference
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- ¥680
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- ¥680
発行者による作品情報
Single life in modern-day Nigeria is far from simple, in this new novel from the winner of the Wole Soyinka Prize for Literature in Africa.
Deola Bello is tired of London, but she’s not ready to give up on life. When her charity job takes her home to Nigeria, her thoughts turn to the future, as she questions whether her peripatetic existence is still right for her.
Deola encounters changes in her family and her home, while a new friendship with Wale, a charming hotelier, offers more lasting potential. But is Deola really equipped to cope with the altered social mores that are part of modern Nigeria?
Sefi Atta’s urgent, incisive voice guides us through this intricate and vivid narrative, challenging preconceived notions of Africa and bringing to life contemporary Nigeria. With boldness and refreshing honesty, A Bit of Difference looks at the complexities of our globalised world, through a very human lens.
Reviews
‘Atta brilliantly evokes a world just on the brink of major change; her writing is intelligent, witty and controlled.’ The Times
‘Although the novel might not appeal to the Nigerian authorities, it’s far richer and more complicated than the mere displaying of dirty linen … a shrewd, quietly fearless and often witty novel that triumphantly succeeds in being both politically thought-provoking and emotionally engaging.’ Daily Mail
‘Character is one of Atta's strongest points as a writer – each character, even the most fleeting, has a story, a mannerism that stays with the reader. The book advances not by plot, but rather through anecdotes, flashbacks, side comments and observations … This is a refreshing book from an author with a lot to say.’ Helon Habila, Guardian
‘Difference is both desired and feared by the characters in this thought-provoking novel … Atta hones a distinctive voice to tell a memorable if uneven story about the quest to preserve uniqueness faced with pressure to conform.’ Anita Sethi, Guardian
‘One of the leading writers of her generation.’ Teju Cole
‘Atta's splendid writing sizzles with wit and compassion. This is an immensely absorbing book.’ Chika Unigwe, author of On Black Sisters Street
‘Enlightening … Atta imbues Deola’s voice with delicious perceptiveness and irony … Atta perfectly hones in on the emptiness which so often epitomises modern life … A pithy analysis of contemporary Nigeria and a character you will want things to work out well for.’ Royal African Society
‘An up-close portrait of middle-class Nigeria exploring the boundaries of morals and public decorum. Pitched between humor and despair, with stripped-down, evocative prose, “A Bit of Difference” bristles with penknife-sharp dialogue, but its truths are more subtle, hiding in the unspoken.’ Nii Parkes, author of Tail of the Blue Bird
About the author
Sefi Atta is the author of two previous novels, Swallow and Everything Good Will Come, and a collection of short stories, News from Home. She has been awarded the Wole Soyinka Prize for Literature in Africa and the NOMA Award for Publishing in Africa. Her novels have been published around the world and translated into numerous languages, and her radio and stage plays have been performed internationally. She was born in Lagos and now lives in the United States.
PUBLISHERS WEEKLY
Atta, winner of the Wole Soyinka Prize for African Literature for Everything Good Will Come (2006), delivers on the promise of her well-received early work with this breakout which is at once an American successor to classic Nigerian literature and a commentary on how the English-speaking world reads Africa. Lagos born Deola Bello enjoys her job in the London office of an international charity organization, but sees how her home country is sold abroad and is all too aware of the Western attitudes that cling to her African friends, like the intellectual Bandele and the born-again Subu, while shaping the perception of her English schoolfellows and American colleagues. But unlike Bandele, Deola still considers herself Nigerian, and a trip home to visit her widowed mother and testy, troubled siblings all coping with the legacy of their autocratic father provides Atta with the opportunity to examine the realities of modern African life, from HIV to the upwardly-mobile Diaspora. Like Teju Cole's Open City, Deola's story is low on drama but rich in life, though Atta's third-person voice makes less for a portrait of a mind in transit than a life caught in freeze-frame, pinned between two continents and radiating pathos. Wholly believable, especially in its nuanced approach to racial identity, the story feels extremely modern while excelling at the novelist's traditional task: finding the common reality between strangers and rendering alien circumstances familiar.