A Place in Time
Twenty Stories of the Port William Membership
-
- ¥2,000
発行者による作品情報
The story of the community of Port William is one of the great works in American literature. This collection, the tenth volume in the series, is the perfect occasion to celebrate Berry’s huge achievement. It feels as if the entire membership—all the Catletts, Burley Coulter, Elton Penn, the Rowanberrys, Laura Milby, the preacher’s wife, Kate Helen Branch, Andy’s dog, Mike—nearly everyone returns with a story or two, to fill in the gaps in this long tale. Those just now joining the Membership will be charmed. Those who’ve attended before will be enriched.
For more than fifty years, Wendell Berry has been telling us stories about Port William, a mythical town on the banks of the Kentucky River, populated over the years by a cast of unforgettable characters living in a single place over a long time. In A Place in Time, the stories dates range from 1864, when Rebecca Dawe finds herself in her own reflection at the end of the Civil War, to one from 1991 when Grover Gibbs' widow, Beulah, attends the auction as her home place is offered for sale.
"And so it's all gone. A new time has come. Various ones of the old time keep faith and stop by to see me, Coulter and Wilma and a few others. But the one I wait to see is Althie. Seems like my whole life now is lived under the feeling of her hand touching me that day of the sale, and every day still.
I lie awake in the night, and I can see it all in my mind, the old place, the house, all the things I took care of so long. I thought I might miss it, but I don't. The time has gone when I could do more than worry about it, and I declare it's a load off my mind. But the thoughts, still, are a kind of company."— Beulah Gibbs
PUBLISHERS WEEKLY
Berry (Hannah Coulter) returns home to Kentucky in his 10th volume in the Port William Membership series with 20 new interconnected stories of the sleepy farming community and its townsfolk. Told from various perspectives and in cadenced reflections, these quiet and meditative "relics and scraps of memory" speak eloquently of familial and romantic love, slavery and war, loss and time's slow but inevitable passing, all with a solemnity and candor often found in Faulkner or Twain. While each offering holds appeal, some are more striking than others. "Fly Away, Breath (1907)" visits Granny Dawe on her deathbed surrounded by kin and, despite the somber mood, a sudden "Hooo!" from the nearly departed lends buoyancy to the story. Reckless wonderment unique to adolescence runs deeply through "Andy Catlett: Early Education (1943)" as 10-year-old Andy gets an illuminating bird's-eye view of his mother while awaiting her corporal punishment after tramping through the house covered in chimney soot. "Stand By Me (1921-1944)" shows Berry's delicate treatment of tragedy as a stalwart father loses first his wife to illness and later his eldest son to the ravages of war. For longtime fans and those new to the series, this rich slice of evolving Americana is just as poignant and enjoyable as ever.
