A White Wind Blew
A Novel
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- ¥2,200
発行者による作品情報
“Compelling and thought-provoking.” —John Burnham Schwartz, author of Reservation Road
When the body fails, you’ve got two choices. Send the doctor in, or send a prayer up. But when no miracle arrives, how do you pull out a measure of hope?
Dr. Wolfgang Pike would love nothing more than to finish the requiem he's composing for his late wife, but the ending seems as hopeless as the patients dying a hundred yards away at the Waverly Hills Tuberculosis sanatorium. If he can't ease his own pain with music, he tries to ease theirs — but his boss thinks music is a waste, and in 1920s Louisville, the specter of racial tensions looms over everything. When a retired concert pianist arrives, Wolfgang is thrust into an orchestra of the most extraordinary kind that emerges to change everything.
PUBLISHERS WEEKLY
Music comes to a tuberculosis hospital in the prohibition-era American South in this absorbing historical, based on a real Louisville sanatorium operating at the turn of the 20th century. At Waverly Hills, the young and old alike are sequestered, and many won't survive. Coffins are sent away in a tunnel to hide the high death rate. Walking among the ill is Dr. Wolfgang Pike, an amateur composer and would-be priest who was derailed from his godly purposes by his late wife. Haunted by her memory and desperate to aid his patients, Pike schemes to bring more music into the sanatorium, forming a band with the patients. But bureaucracy, the ongoing march of death among his musicians, and the KKK, whose members don't approve of Pike's Catholicism and racial liberality, provide obstacles to success. From secret rehearsals to hijinks with patients on the loose, from profound and tender moments to unspeakable violence, the orchestra's journey from idea to entity enthralls the whole hospital community. Though a romantic backstory and the racial strife can feel formulaic, Markert displays great imagination in describing the rivalries, friendships, and intense relationships among the often quirky and cranky terminally ill, and the way that a diagnosis, or even a cure, can upset delicate dynamics.
