Accordion Crimes
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- ¥700
発行者による作品情報
The third novel from the Pulitzer Prize-winning author of ‘The Shipping News’, ‘Accordion Crimes’ spans generations, continents and a century and confirms the hallucinatory power of Proulx’s writing.
‘Accordion Crimes’ is a masterpiece of story-telling that spans a century and a continent. It opens in 1890 in Sicily, when an accordion-maker and his son, carrying little more than his finest button accordion, begin their voyage to the teeming, violent port of New Orleans. Within a year, the accordion-maker is murdered by an anti-Italian lynch mob, but his instrument carries the novel into another community of immigrants: German-Americans founding a new town in South Dakota. Moving from South Dakota to Texas, from Montana to Maine, the nine instantly compelling and intricately connected sections of the novel illuminate the lives of the founders of a nation, descendants of Mexicans, Poles, Germans, Irish, Scots and Franco-Canadians. Through the music of the accordion they express their fantasies, sorrows and exuberance.
Reviews
‘This novel confirms Proulx as one of the greatest American writers.’ Independent
‘The detail is breathtaking, her ear for dialogue matchless, her observation unsentimental, her pace infectious. She tackles death, sex and the gruesome with black hilarity and the skills of a born storyteller. Rich and dense, “Accordion Crimes” is a splendid novel.’ The Times
‘Annie Proulx has written an epic social history of America and the plight of the immigrant, which is astonishing in its breadth, heroic in the scale of its ambition and brilliant in its manner of realising them.’ Daily Mail
‘The glorious richness of the language continually makes you pause in wonder, the details pile up and surround you.’ Scotsman
‘Her range and scope are tremendous, shuttling through the warp of multiple cultures and spanning, by the end, a hundred years. And it is the range of detail that grips, richly concrete.’ Spectator
‘Vigorous, salty and extraordinary.’ The Times
About the author
Annie Proulx published her first novel ‘Postcards’ in 1991 at the age of 56. ‘The Shipping News’ won the Pulitzer Prize for Fiction, the National Book Award and the Irish Times International Prize. Her third novel, ‘Accordion Crimes’, was published in 1996. She is also the author of three short-story collections, ‘Heart Songs’ (1994), ‘Close Range’ (1999) and ‘Bad Dirt’ (2004). ‘Brokeback Mountain’ was made into an Oscar-winning film in 2005. ‘Fine Just the Way It Is’, her third collection of Wyoming short stories, was published in 2008.
PUBLISHERS WEEKLY
America's ethnic minorities have rarely been rendered with the insight, intuition and unsentimental candor that Proulx brings to the large canvas of characters and reaches of landscape in this ambitious new work. The narrative has eight parts, each composed of short vignettes that depict the cultural baggage--the attitudes, behaviors and social conditioning--that immigrants brought with them, and the ways in which they joined, yet held aloof from, American society. Beginning in the late 1800s and ending 100 years later, the novel follows a vividly realized cast of characters, whose names are as colorful as their stories: Ludwig Messermacher, Abelardo Relampago Salazar, Dolor Gagnon, Onesiphore Malefoot, Hieronim Przybysz. Their common bond is ownership of a green button accordion, which was brought to these shores by a Sicilian immigrant and, after his death at the hands of a lynch mob, was transported back and forth across the continent by various combinations of inheritance, violence and bad luck. With mesmerizing skill, Proulx summons up the attitudes and speech of her characters, vigorously detailing a formidable number of settings, including New Orleans, Hornet, Texas, Random, Maine, Prank, Iowa, and Old Glory, Minnesota. She can evoke a teeming, fetid slum as clearly as she can a Montana ranch. An invariable characteristic of these immigrants and their families is the tendency to think of others as "Americans.'' In their own minds, they are still Italians or Germans or Norwegians or Poles or French Canadian or Cajuns. Almost without exception, they express ancient prejudices and newfound racism: the New Orleans natives hate the Italians, who hate the blacks; Iowa's Germans hate the Irish. What makes all this so spectacular is th at Proulx is a master at incorporating potentially numbing detail and specificity--from the components of an accordion to the bloodlines of Appaloosas and the stages of a Polish funeral--into her vigorous prose. Traditional ethnic music--played by various characters during their brief ownership of the increasingly derelict accordion--is conveyed with impressive authority. The range of scenes, from a drunken birthday party that resembles an animated Booth cartoon to a brutal reaction to a civil rights sit-in at a lunch counter, bespeaks a brilliant imagination. Proulx makes grotesque accidents, bloody catastrophes and bizarre events seem an inescapable part of human existence. If eventually some sameness of mood occurs, and a resultant diminution of tension, this is balanced by the reader's interest in the accordion's odyssey and in the lives it touches en route. For this is a cautionary tale in which pride and greed and self-delusion vie with basic human needs for love, comfort and spiritual sustenance. BOMC dual main selection; author tour.
