All Our Yesterdays
A Novel of Lady Macbeth
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- ¥710
発行者による作品情報
A USA Today Bestseller!
A propulsive and piercing debut, set ten years before the events of Shakespeare’s historic play, about the ambition, power, and fate that define one of literature’s most notorious figures: Lady Macbeth.
Scotland, the 11th Century. Born in a noble household and granddaughter of a forgotten Scottish king, a young girl carries the guilt of her mother’s death and the weight of an unknowable prophecy. When she is married, at fifteen, to the Mormaer of Moray, she experiences firsthand the violence of a sadistic husband and a kingdom constantly at war. To survive with her young son in a superstitious realm, she must rely on her own cunning and wit, especially when her husband’s downfall inadvertently sets them free.
Suspicious of the dark devices that may have led to his father’s death, her son watches as his mother falls in love with the enigmatic thane Macbeth. Now a woman of stature, Lady Macbeth confronts a world of masculine power and secures the protection of her family. But the coronation of King Duncan and the political maneuvering of her cousin Macduff set her on a tragic course, one where her own success might mean embracing the very curse that haunts her and risking the child she loves.
PUBLISHERS WEEKLY
Morris debuts with an intriguing tale of Lady Macbeth during the years before events depicted in Shakespeare's play. Known only as "the Lady," she meets a "bewitched woman" as a young girl in the early 11th century, who prophesies: "You shall be queen." At 15, she marries the brutal Mormaer of Moray, who murdered his uncle to secure his title. They have a son, unnamed in the narrative, whom the mormaer viciously mocks for shedding tears. Later, the Lady teaches the boy how to hold a dagger, hoping to protect him from his sadistic father. After Macbeth kills the mormaer by setting a fire, the Lady marries Macbeth with full knowledge of his deed. Her son hears gossip about the mormaer's death, and he becomes increasingly suspicious his father was murdered. Crisp, no-nonsense prose conveys the narrative's gathering darkness ("Time without light has no season. It is no time at all," thinks the Lady), and Morris intelligently explores the era's gender dynamics ("What the husbands consider close-kept secrets are open knowledge to the wives"). It's an entertaining prequel to Shakespeare's complex and haunting tragedy.
