Ambient
A Novel
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- ¥1,000
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- ¥1,000
発行者による作品情報
One man struggles to survive in a dystopian near-future New York City in this acclaimed novel that "performs feats of brilliance on so many levels" (Entertainment Weekly).
In a decaying and violent near-future New York, the remnants of civic order are maintained with brute force by the conglomerate Dryco. But even Dryco is falling apart from the inside. Seamus O'Malley is bodyguard and confidant to Mister Dryden, the CEO, and an admirer of Dryden's personal femme fatale, Avalon. But what begins as a simple case of unrequited love quickly becomes a desperate chance for survival as corporate intrigue, murderous family rivalries, and perverse subcultures take over O'Malley's life.
Drawing comparisons to the nightmarish vision of J. G. Ballard and the linguistic brilliance of Anthony Burgess's A Clockwork Orange, Ambient marked the "wonderfully inventive" debut of Philip K. Dick Award–winning author Jack Womack (The New York Times Book Review).
"Bleakly comic . . . A cynical tour de force through the meanest of streets. Ambient is less prophecy than documentary, demonstrating how the best science fiction is about as future-oriented as today's Daily News." —The Village Voice
"[Womack] succeeds in balancing blistering social commentary with shrewd literary experimentation . . . Flecked with black humor, this is speculative fiction at its eerie best." —Entertainment Weekly
PUBLISHERS WEEKLY
Set in a future New York City that seems like a horrible amalgam of A Clockwork Orange's London, modern-day Beirut and Germany during the Thirty Years' War, this thriller, Womack's first novel, does not live up to its ambitious theme. In 21st century Manhattan, a good portion of the citizenry consists of freaks engendered by a nuclear accident on Long Island. The freaks, or "ambients,'' of the title still retain a sense of community missing everywhere else in the world, however. Civic authority, such as it is, lies in Dryco, a conglomerate that controls the government. But things are falling apart inside Dryco. CEO Dryden Jr. believes that founder Dryden Sr. is destroying the company's solvency by speculating in Bronx real estate. Dryden Jr. persuades O'Malley, the novel's protagonist, to assassinate his father. The attempt misfires, and O'Malley must scramble to save his own life. Womack cites, and thus invites, comparison with A Clockwork Orange. But while Burgess used similar material to make serious fiction about connections between violence and dehumanization, and good and evil, the violence here merely titillates, and the tale is emp-ty of moral resonance and meaning.
