Ambition and Survival
Becoming a Poet
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- ¥1,600
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- ¥1,600
発行者による作品情報
"That calling, at once religious, ethical, and aesthetic, is one that only a genuine poet can hear—and very few poets can explain it as compellingly as Mr. Wiman does. That gift is what makes Ambition and Survival, not just one of the best books of poetry criticism in a generation, but a spiritual memoir of the first order."
—New York Sun
"This weighty first prose collection should inspire wide attention, partly because of Wiman's current job, partly because of his astute insights and partly because he mixes poetry criticism with sometimes shocking memoir ... The collection's greatest strength comes in general ruminations on the writing, reading and judging poetry." —Publishers Weekly
"[Wiman is] a terrific personal essayist, as this new collection illustrates, with the command and instincts of the popular memoirist ... This is a brave and bracing book." —Booklist
“Blazing high style” is how The New York Times describes the prose of Christian Wiman, the young editor transforming Poetry, the country’s oldest literary magazine.
Ambition and Survival is a collection of stirring personal essays and critical prose on a wide range of subjects: reading Milton in Guatemala, recalling violent episodes of his youth, and traveling in Africa with his eccentric father, as well as a series of penetrating essays on writers as diverse as Thomas Hardy and Janet Lewis. The book concludes with a portrait of Wiman’s diagnosis of a rare form of incurable and lethal cancer, and how mortality reignited his religious passions.
When I was twenty years old I set out to be a poet. That sounds like I was a sort of frigate raising anchor, and in a way I guess I was, though susceptible to the lightest of winds. . . . When I read Samuel Johnson’s comment that any young man could compensate for his poor education by reading five hours a day for five years, that’s exactly what I tried to do, practically setting a timer every afternoon to let me know when the little egg of my brain was boiled. It’s a small miracle that I didn’t take to wearing a cape.
Christian Wiman is the editor of Poetry magazine. His poems and essays appear regularly in The New Yorker, The Atlantic Monthly, Harper’s, and The New York Times Book Review.
PUBLISHERS WEEKLY
Before assuming command of a revamped Poetry magazine in 2002, Wiman already wielded a reputation as a serious, outspoken poet-critic. This weighty first prose collection should inspire wide attention, partly because of Wiman's current job, partly because of his astute insights and partly because he mixes poetry criticism with sometimes shocking memoir. The first few essays describe Wiman's early life in a tough West Texas town, full of "nameless angers and solitudes" and "idealized, sometimes inexplicable violence." Later pieces examine his rough international travels, struggles with major illness and Christian belief. In between come pronouncements and propositions about poetry: it must consider lived experience and reflect both the tradition from which it comes and the poet's times. Hardy, Eliot, Heaney and Walcott merit high praise, as does the Scottish poet George Mackay Brown; Millay, Crane and Bunting get fascinatingly ambivalent appraisals. The collection's greatest strengths come in general ruminations on the writing, reading and judging of poetry, such as "here is a direct correlation between the quality of the poem and the poet's capacity for suffering." Or "Most lasting art is made by people who believe with everything in them that art is for the sake of life, but who live otherwise."
