Anarcha Speaks
A History in Poems
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- ¥2,200
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- ¥2,200
発行者による作品情報
The reimagined story of Anarcha, an enslaved Black woman, subjected to medical experiments by Dr. Marion Sims. Selected by Tyehimba Jess as a National Poetry Series winner.
In this provocative collection by award-winning poet and artist Dominique Christina, the historical life of Anarcha is personally reenvisioned. Anarcha was an enslaved Black woman who endured experimentation and torture at the hands of Dr. Marion Sims, more commonly known as the father of modern gynecology. Christina enables Anarcha to tell her story without being relegated to the margins of history, as a footnote to Dr. Sims’s life. These poems are a reckoning, a resurrection, and a proper way to remember Anarcha . . . and grieve her.
PUBLISHERS WEEKLY
In this 2017 National Poetry Series winning collection, performer, educator, and activist Christina (This Is Woman's Work) revives the voice of the long-silenced Anarcha, an enslaved black woman who was subjected to numerous painful medical experiments by 19th-century physician J. Marion Sims. Often referred to as the "father of modern gynecology," Sims achieved his whitewashed legacy through implementing physical, mental, and emotional violence on black women without consent. The names of these victims have been all but lost to the passage of time, with the exception of three, including Anarcha. With lyrical descriptions that showcase emotional vulnerability, Christina captures the voice of Anarcha and writes, "i been hungry so long/ famine my only song// i split by an ocean/ i torn up by longing." The poet's rendition of Anarcha challenges the idea of resilience as resistance, painting death as the ultimate relief: "we lost our mouths/ 'cross a mighty mighty ocean./ coulda died but we don't know how." For his part, Sims acts as a malevolent shadow, a predator pretending to be God who is determined to "learn the diabolical complexity/ Of woman: a synonym for ruin." Subverting the white gaze, Christina rejects the idea of Anarcha, and all the other nameless enslaved women, as mere footnotes in the success of Sims.
