Ashenden
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- ¥1,000
発行者による作品情報
Spring 2010, and when Charlie and Ros inherit Ashenden from their aunt Reggie a decision must be made. The beautiful eighteenth-century house, set in acres of English countryside, is in need of serious repair. Do they try to keep it in the family, or will they have to sell?
Moving back in time, in an interwoven narrative spanning two and a half centuries, we witness the house from its beginnings through to the present day. Along the way we meet those who have built the house, lived in it and loved it; those who have worked in it, and those who would subvert it to their own ends, including Mrs Trimble, housekeeper to the rackety, spendthrift Mores; the wealthy Henderson family, in their Victorian heyday; six-year-old Pudge; Walter Beckmann, prisoner in its grounds; and Reggie and Hugo, agents of its postwar revival.
Through good times and bad, the better we get to know the house, the more we care about its survival. A novel about people, architecture and living history, Ashenden is an evocative and allusive reflection on England and its past.
PUBLISHERS WEEKLY
Wilhide, an interior design and architecture writer, delivers a tedious historical exploration of an 18th-century English estate house in her debut novel. When Charlie Minton and his sister, Ros, inherit Ashenden Park (based on an actual estate in Berkshire, England) from their recently deceased aunt, they are forced to decide its fate., The house's history is revealed through chronologically ordered flashbacks, one per chapter. The unidentified narrator, however, focuses more on the people whose lives revolve around the house; each chapter begins with a quick look at the house during that particular period before following the characters who then inhabit it. Unfortunately, there is little to thread this series of short stories together other than the building itself. As the supporting characters barely resurface from one chapter to the next, they are hardly given a chance to develop, and though the house is the intended central character, the execution is too disjointed, leaving the reader uninvested in the story. Though the descriptions of time and place befit an author who has made her name in the design and d cor world, Wilhide's ho-hum book lacks narrative tightness.
