Asmat Art
Woodcarvings of Southwest New Guinea
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- ¥3,400
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- ¥3,400
発行者による作品情報
Asmat Art features the world renowned woodcarvings of the Asmat, former head-hunters who live in the western half of New Guinea
This book presents a full range of Asmat woodcarving art, but emphasizes the rare early shields and figure sculptures. Drums, canoe prowheads and the larger, more dramatic "objects" are also shown.
Together with bisj poles, war shields are perhaps the most famous creation of Asmat artists, and these were carved throughout the region. It is in the design and construction of the shields that the variations in style region can most clearly be seen. Figure sculptures, of varying styles, are also well represented here, and a limited number of the huge ceremonial carvings, such as bisj poles and basu suangkus, have also been included. The cultural context in which these items play their part is described in detail in the introductory chapters. But it is not the intention of this book to be an ethnography. The focus is on the art pieces themselves.
PUBLISHERS WEEKLY
The elaborate woodcarvings of the Asmat, who inhabit western New Guinea's coastal swamps, make the spirit world tangible. Head-hunting--practiced until the early 1960s--and ancestor worship figure prominently in this fierce people's intricate art. Spectacular, phallic bisj poles depicting human figures one above the other embody Asmat warriors' promise to avenge the deaths of the people carved into the pole. Abstract motifs on war shields symbolize deceased relatives; the Asmat believe these shields give warriors supernatural support in battle. Canoe prowheads, paddles, figure sculptures, eerie mask costumes and ``soulships'' carrying spirit passengers all reflect the Asmat preoccupation with the netherworld. Smidt, a curator at the Netherlands' National Museum of Ethnography, leads a team of scholars, collectors and anthropologists in ably discussing Dutch colonial contacts, Asmat festivals, religion and motifs.
