August: Osage County (TCG Edition)
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- ¥1,800
発行者による作品情報
Winner of the 2008 Pulitzer Prize for Drama and the 2008 Tony Award for Best New Play.
"A tremendous achievement in American playwriting: a tragicomic populist portrait of a tough land and a tougher people." —TimeOut New York
"Tracy Letts' August: Osage County is what O'Neill would be writing in 2007. Letts has recaptured the nobility of American drama's mid-century heyday while still creating something entirely original." —New York magazine
“I don’t care if August: Osage County is three-and-a-half hours long. I wanted more.” –Howard Shapiro, Philadelphia Inquirer
"This original and corrosive black comedy deserves a seat at the table with the great American family plays."—Time
One of the most bracing and critically acclaimed plays in recent history, August: Osage County is a portrait of the dysfunctional American family at its finest—and absolute worst. When the patriarch of the Weston clan disappears one hot summer night, the family reunites at the Oklahoma homestead, where long-held secrets are unflinchingly and uproariously revealed. The three-act, three-and-a-half-hour mammoth of a play combines epic tragedy with black comedy, dramatizing three generations of unfulfilled dreams and leaving not one of its thirteen characters unscathed.
August: Osage County has been produced in more than twenty countries worldwide and is now a major motion picture starring Meryl Streep, Julia Roberts, Chris Cooper, Dermot Mulroney, Sam Shepard, Juliette Lewis, and Ewan McGregor.
PUBLISHERS WEEKLY
With a keen ear for the Southern drawl, this sharply written play gets a stellar presentation by L.A. Theatre Works. Set over the course of several weeks, the play follows the Weston family as they are pulled back to their Oklahoma homestead in the wake of a tragedy. With uncontrolled ferocity, this dysfunctional family proceeds to bicker and battle, belittle and besmirch each other with every emotional weapon in their considerable armory. At its heart is Momma Violet, played to shrewish perfection by Deanna Dunagan: her drug-induced, nonstop vitriolic pronouncements and revelations are alternately painful and hilarious in their delivery, and the reactions and interactions of the excellent cast are just as well developed and delivered. Robert Pine, as patriarch Beverly Weston, practically steals the show in the opening scene which is a touching and laugh-out-loud performance, perfectly delivered and totally indicative of the richly textured performances of the tragic comedy that follows.
