Baby X
A Thriller
-
- ¥2,600
-
- ¥2,600
発行者による作品情報
One of NPR’s 2024 Books We Love
When any biological matter can be used to create life, stolen celebrity DNA sells to the highest bidder–or the craziest stalker–in this propulsive thriller.
With a vivid imagining of the future, Gattaca meets Black Mirror in Kira Peikoff’s Baby X.
In the near-future United States, where advanced technology can create egg or sperm from any person’s cells, celebrities face the alarming potential of meeting biological children they never conceived. Famous singer Trace Thorne is tired of being targeted by the Vault, a black market site devoted to stealing DNA. Sick of paying ransom money for his own cell matter, he hires bio-security guard Ember Ryan to ensure his biological safety.
Ember will do anything she can to protect her clients. She knows all the Vault’s tricks–discarded tissues, used straws, lipstick tubes—and has prevented countless DNA thefts. Working for Thorne, her focus becomes split when she begins to fall for him, but she knows she hasn’t let anything slip–love or not, his DNA is safe. But then she and Thorne are confronted by a pregnant woman, Quinn, who claims that Thorne is the father of her baby, and all bets are off.
Brilliantly plotted and terrifyingly prescient, Baby X is an unpredictable and relentless speculative thriller perfect for fans of Blake Crouch and John Marrs.
PUBLISHERS WEEKLY
This high-concept speculative thriller from Peikoff (Mother Knows Best) undermines its tabloid premise with wobbly worldbuilding. In the near future, babies can be made in test tubes from any living cells, leading to a "rising trend" of people stealing celebrity DNA for blackmailing purposes. Superstar musician Trace Thorne wants his DNA protected; biosecurity guard Ember Ryan guarantees it, though her efforts appear to consist solely of chemical wipe-downs at his public appearances. Both are shocked to be confronted by Quinn Corrigan, a professional surrogate who claims she's carrying Thorne's baby. How did it happen? Meanwhile, rookie journalist Lily is shocked by her middle-aged parents' announcement that they're planning a genetically screened second child, but sees an angle that could cinch her a byline at a prestigious tech magazine—if she can get her secretive mom to talk. The real mystery is how these two plots are connected, and Piekoff pulls off a clever twist in the reveal. Unfortunately, incongruities—some needless, some plot-convenient—pepper the narrative and overstrain credulity. Meanwhile, the characters' purported areas of expertise are seldom backed up by their actions. The concepts intrigue, the execution disappoints.
