Bad News
Last Journalists in a Dictatorship
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- ¥1,400
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- ¥1,400
発行者による作品情報
The author of the acclaimed Stringer: A Reporter’s Journey in the Congo now moves on to Rwanda for a gripping look at a country caught still in political and social unrest, years after the genocide that shocked the world.
Bad News is the story of Anjan Sundaram's time running a journalist's training program out of Kigali, the capital city of one of Africa's most densely populated countries, Rwanda. President Kagame’s regime, which seized power after the genocide that ravaged its population in 1994, is often held up as a beacon for progress and modernity in Central Africa and is the recipient of billions of dollars each year in aid from Western governments and international organizations. Lurking underneath this shining vision of a modern, orderly state, however, is the powerful climate of fear springing from the government's brutal treatment of any voice of dissent. "You can't look and write," a policeman ominously tells Sundaram, as he takes notes at a political rally. In Rwanda, the testimony of the individual—the evidence of one's own experience—is crushed by the pensée unique: the single way of thinking and speaking, proscribed by those in power.
A vivid portrait of a country at an extraordinary and dangerous place in its history, Bad News is a brilliant and urgent parable on freedom of expression, and what happens when that power is seized.
PUBLISHERS WEEKLY
Journalist Sundaram (Stringer) takes an affecting, if draining, look at conditions in Rwanda from April 2009 to December 2013. Focusing on his experiences with a program that trained Rwandans as journalists, he describes his relationships with his students and his struggle, as President Kagame's government grew more repressive, to find new ones. The book opens with Sundaram investigating the sound of an explosion, only to be informed by a police officer that he imagined it. This moment of state-mandated disconnection between reality and perception is just the first of many the book explores, at times powerfully. The cumulative effect, however, is exhausting. Students come and go from Sundaram's class, but there are a few that he clearly admires and considers friends. Gibson, a student of particular talent, struggles after being placed under government surveillance. Moses, another such student, is a survivor of the genocide, and one of the most poignant moments occurs when Sundaram accompanies Moses to a genocide memorial. These relationships add a measure of warmth to a book that comes to feel endlessly bleak. Despite the wearying grimness, this is an important book for students of political science, modern history, and journalism.
